Jean Daurand

Gentleman gangster Max and his partner, Riton, pull off their last, most successful heist and find themselves comfortable enough to retire in the style they enjoy. However, Max confides the details of the theft to his younger mistress, Josey -- who has secretly taken up with ambitious young rival gangster Angelo. Angelo then has Riton kidnapped and demands the stash of gold as ransom, which threatens Max's dreams of the perfect retirement.

Paris, France, December 1946. Jenny Lamour, an ambitious cabaret singer, and Maurice, her extremely jealous pianist husband, become involved in the thorough investigation of the murder of a shady businessman, led by Antoine, a peculiar and methodical police inspector.

Emile is a French film producer at the beginning of the century. One of his friends leaves his daughter Lucette in his house, when he is starting a tour through France. Emile falls in love with her. Problems starts when his younger friend Jacques come back from military service and after complaining his misfortune with women, follows Emile's advice in starting affairs with women and he meets Lucette.

During a stay at a roadside inn, long-distance lorry driver Jean Viard meets a young woman Clothilde who works there. Their friendship soon develops into a passionate love affair, even though Jean is already married and is old enough to be Clothilde’s father. Things take a turn for the worse when Jean loses his job and his wife finds out about his affair. But Clothilde’s predicament is even more distressing...

Leading lawyer Andre Gobillot takes the case of Yvette, a young criminal. As he works on her defence, an unexpected romance blooms between them, only to be cut short by a tragedy.

Comedian Bob Hunter is aided by his French counterpart Fernydel and two beautiful blondes when he is targeted for death by a powerful European counterfeiting ring.

During the Second World War, many French railway workers participated in the resistance. Daily acts of sabotage, spectacular derailments: the railway network took many actions against Nazi occupation. Stationmanager Camargue and his deputy, Athos, risk their lives in managing the network in their sector.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.