Ariel Rotter

Rubén is a middle-aged Argentinian truck driver transporting timber between Paraguay and Buenos Aires. One day, at a truck stop, he picks up a young Paraguayan woman, Jacinta, whom his employer had told to take to Buenos Aires. To Rubén's surprise, Jacinta brings along her five-month-old daughter, Anahí.

In memory of the Japanese earthquake on 3.11, each director presents a 3 minute and 11 second short film in tribute to those who were lost that day.

A child is lost in the forest when something magical happens to her.

He is a writer and Ángela, a mature woman, is his domestic employee. Since he can't find inspiration, he decides to accompany her on her work day to other houses. Thus, delving into other people's lives, both begin to stop seeing each other as strangers and have fun, momentarily forgetting their own problems for a while. Without romantic tensions, the two simply enjoy sharing the day and, while Ángela cannot stop remembering Pedro, her dead husband, he only listens. Without advice or sermons, their two visions come together to make, at least that day, a different experience.

A minor distraction by a public official results in the death penalty for someone convicted of a minor crime.

In this poignant period drama set in 1960s Argentina, a young woman, struggling to raise her twin daughters alone after the tragic death of her husband, accepts the courtship of a charming but mysterious older suitor.

Twenty-something Ana, now living in Buenos Aires, returns to her native city of Paraná. She meets old school mates, old friends, makes new ones, and starts to rethink her life, and perhaps change her future.

Arriving at a distant town, a businessman decides to take the identity of a passenger who died during the bus trip.