Paolo Conte

Ester finds herself sexually attracted to her newly divorced friend Adele. When Ester admits another love to her hot-headed husband, he searches manically for the rival, who he never suspects is a woman.

Two convicts escape from prison and evade the law by taking hostage the middle-class family of a doctor. One of the jailbirds calls the local television station, requesting that they broadcast his demand for a plane so they can escape the country. The television director and his crew show up to film the hostage crisis, and then things get progressively more bizarre and satirical. Not content with the living drama, he directs everyone's actions to make the event more newsworthy.

The film tells Caselli’s story in her own words, as the artist herself shares anecdotes and reflections on her life and career. What emerges is a portrait of a woman who has made her great passion—music—her entire life.

Milo Manara revolutionized the comics imagination, liberating female desire through the protagonists of his comics. His career was marked by his encounter with Hugo Pratt, his mentor and companion, and by his exploration of the power of sex as a political act, culminating in the publication of Il gioco. His partnership with Federico Fellini redefined the boundaries between eroticism, cinema, and comics, and his unmistakable style made him a point of reference for entire generations.

A man from Milan, Carmelo, is forced to take his young son Malcolm, on a trip down South so his mother, who usually takes care for the boy, can go on vacation with her Moroccan boyfriend. Carmelo, who obviously is not too often at home, has no clue about how to deal with young children, even the most basic chores a father should know to tend the restless imp thrown in his care. The crowded train traveling from Milan to Reggio, Calabria, is packed in the second class section where Carmelo and Malcom have a hard time getting a seat. When they finally do, young Malcolm decides to disappear from his compartment. He goes to the first class car, where eventually Carmelo decides to sit and pay the extra supplement. He is lucky to find more space, and the companionship of Beatrice, a woman that is bringing the skeleton of a rare animal. Carmelo finds a way to interest the lady. Their ride is certainly bumpy, complicated when he decides to leave the mischievous Malcolm at an intermediate stop.

Plagued by financial problems, ne'er-do-well Guido ends up in jail after faking an armed robbery at his workplace. A year later, just a few days before his release, he's forced by two dangerous inmates to take part in their jailbreak. On the run, Guido sets out to find his partner Antonella, who helped him with the robbery and still has the money.

The first movie directed by Roberto Benigni in four surreal short stories: "Durante Cristo" (During Christ), "Angelo" (Angel), , "In Banca" (At the Bank) and "I Due Militi" (The Two Soldiers). An excursus in Benigni's satirical views on man, religion and society.

When Santa's helper La Befana falls ill and must take off a Christmas Eve, she recruits Scarafoni to help deliver all the toys. No one but the toys knows is that Scarafoni plans to auction off the toys to the highest bidder, which means the toys won't make it to the children who have been good all year and deserve them. The toys decide to deliver themselves, and the story follows them as they struggle to avoid the heartless Scarafoni and to find their true homes.