Darko Bajić

Belgrade, 1999. Producer Sergei and his film crew are in a disastrous situation - the film they're making is under threat - there's no money, the crew are dissatisfied - and NATO bombing is just around the corner. Then a member of the State Security Service (Mileta) comes looking for American co-producer Harvey. Anxious and worried, in the midst of the bombing that's begun, Sergei hides Harvey from what he thinks is awaiting him - arrest. During the night, he thinks up a plan. He announces the start of filming on a new, patriotic film - in which the main role will be played by Harvey. The plan works - the State supports the film and Mileta, as the State's representative, joins the crew. However, the underlying conflict between Mileta and Sergei explodes during the first screening. Mileta accuses them of being artists, and not being patriots.

In a near-future Belgrade, a DJ stirs up trouble with his rocking anti-establishment broadcasts. After his station is shut down, he takes to the street and starts transmitting revolution with the police hot on his trail.

The story about the founders of the famous "Yugoslav Basketball School" and the first gold medal at the Championships in Ljubljana in 1970, is based on real events and is dedicated to personalities who have contributed to the emergence and development of basketball in their country.

The feature documentary film about the painter Milos Bajic and his life and art during the Second World War.

Four legendary Yugoslav film directors talk about their careers, capitalism, sex, life, death and revolt.

The film is about the director and screenwriter, Milos Misa Radivojevic, who has maintained his position as a radical filmmaker and one of the most important representatives of art cinema in the Yugoslav and European context since the “black wave” period until today.

Đorđe Kadijević is an art historian, art critic, professor and one of the most important Yugoslav and Serbian film directors. He is a member of the "Black Wave", the most important film direction in Yugoslav cinematography. The film "Butterfly" is considered the first and most important horror film in Eastern Europe. And the TV series "Vuk Karadžić" received the highest award of European film directors, which was awarded to Kadijević by Umberto Eco

Movie about secret relations between Yugoslavian, Serbian and Croatian secret police during last 50 years. Here in Balkans truth and lies are so much mixed and it lasts so long that no one knows the difference. That is why this fictitious story looks so true.