Rudolph Bernauer

In this romance, a banker's daughter suddenly breaks off her engagement on her wedding day. She then meets a man who believes in easy money. He sees her as his meal ticket and the two take off together.

Judy Aalders grows up in an orphanage. Albert Woudenberg happens to be present when Judy confronts the trustees of the orphanage and is expelled. He decides to send her to university and Judy, who has only ever seen his shadowy long legs, refers to him as 'Daddy-Long-Legs' from that day. Not knowing he is in fact her benefactor, Judy's relationship with Albert gradually turns into love.

The year is 1880. On the outskirts of the fictional small Scottish town of Levenford there stands a strange building, half cottage, half castle, embraced with thick stone walls. The townsfolk nickname the fortress "Hatter's Castle", for James Brodie, the man who built it. Brodie is a hatter who keeps the members of the family in fear and submission; he is brutal, arrogant, selfish and cruel. His wife, who has long been ailing, and his daughter Mary, are in awe of him. His son Angus, aged 15, alone dear to his heart, suffers under his love as the others suffer under his sternness.

A young Russian woman marries a wealthy Englishman, and has a daughter with him. After she has an affair with one of his friends, she is forced to leave Britain and moves to Paris. Many years later, her daughter approaches her, needing her help.

The wealthy von Wellingens are shocked when the father of their son Fred's fiancée Lia juggles desserts at a formal dinner. They encourage Fred to break the engagement. Lia goes to Berlin to marry a Baron von Schwarzdorf, and Fred arrives too late to stop the marriage.

Toni Le Brun, a beautiful Viennese singer, becomes the ward of the wardrobe mistress of a Monte Carlo nightclub. Her benefactor, however, is actually a baroness incognito. Toni falls in love with the handsome Richard, but as they prepare to marry, she comes to believe he is only after the wealth accompanying her new noble status. But truth, like true love, will not be kept secret long.

Felix Bressart, later one of the most delightful members of the Ernst Lubitsch "stock company," plays the title character in the Austrian comedy Hirsekorn Greift Ein (Hirsekorn Does Something About It). It's a typical worm-turns affair, as a mild-mannered provincial actor ends up working as a chauffeur for a scatterbrained female novelist. Slapstick is the order of the day, except in the scenes involving heroine Charlotte Susa. Guiding the actors through their paces was Rudolf Bernauer, a stage actor-manager of vast experience. Critics in 1931 felt that Hirsekorn Greift Ein was too thin to be stretched to 90 minutes.