Edith Hermansen

She loves to ride in the bus and read smart book ... He likes to sit by the water and drink soda ... She loves to write down their thoughts on the fly and be glad that they do not end ... He likes to watch as boats come and invent passengers biography ... She loves ice cream and menthol cigarettes ... And he - horses and storefronts ... She had to roam the streets at night, even if you do not want to ... he loves the city nightlife, which helps him to dream ... and one day ... quite by accident ... They meet ... hE and SHE ...

In the year 1646, Denmark is at peace. Only recently have the last occupying troops left Jutland, leaving behind the sad traces of iron heels. The administration has partially collapsed, the kingdom is short of money, and what money there is is unevenly distributed. This is the unusual and sad background to this unpretentious account.

A good looking female social welfare worker makes Egon Olsen forget about crimes for some time, but when an American gangster breaks into a local bank and the police think its Egon's work, he has to get back to work to prove he's innocent.

The story centers around the busybody housewives of a modern Danish working class neighborhood of the 1960's. A remake of the Norwegian comedy film from 1959.

Herbert and Bitten live in a lovely house, happily married with two children. Herbert is a teacher at a secondary school, and he writes poetry in his spare time. Bitten is an engineer at a tie factory. Their home only functions thanks to their housekeeper, Mrs. Jørgensen. When Mrs. Jørgensen is confronted with her greatest fear—a live mouse—she leaves the home, never to return. Now there is only one thing to do: Herbert must give up his job and become a stay-at-home dad.

Marianne is a sales assistant at the elegant fashion boutique Chez Madame on Strøget. She is a wallflower, and when the wealthy man of the world John Bagger, one of the store's customers, invites her out on New Year's Eve wearing the store's most beautiful dress, she experiences it as a romantic adventure. But everyday life returns after the big night.

A socially realistic film about a fifteen-year-old girl and her problems with love. Judith comes from a working-class home and does not want to continue her education. After having a relationship with a man twenty years her senior, she meets seventeen-year-old rock musician Willy, with whom she becomes pregnant. Willy does not really interest her, and she has an illegal abortion.

Consul Bergholtz is ill and will probably die soon. Family members gather at her bedside, each with the expectation of receiving a share of the impending inheritance. Among the heirs are her sons, the alcoholic editor Oscar and the homosexual lecturer Ejnar, as well as their pretty and recently divorced sister Esther. But when her grandson, the cunning and unscrupulous businessman Kurt, shows up, the intrigues are stoked. Kurt couldn't care less about good manners and cultural veneer; he simply takes what he wants.

A young orphan is sent to live in a Danish village where he is cast out because his mother was a West Indian. With nowhere to turn, the ingenious survivor begins devising a new life outside of town.

Directed by Danish filmmakers Bjarne and Astrid Henning-Jensen, THOSE BLASTED KIDS tells a story of a group of back-alley urchins that is considered Denmark’s first true children’s film.

The film is a window into the world of fifteen-year-old Tim, sharing his joys and sorrows and his first encounter with love, during the German occupation of Denmark in World War II.

One evening, two young people, the painter Peter Sommer and the sweet, young courtesan Vera Holm, get to know each other in a very dramatic way. He meets her outside the property where he has his studio, and when she pretends to have an errand there, he willingly lets her in. When Vera suddenly pulls a revolver and shoots a stranger, and Peter in the heat of the fight receives a stab wound, there is a great commotion in the property, and an explanation is demanded.

Depiction of the social democratic activist and politician Peter Sabroe, who in the time around the turn of the century went to fight for the oppressed, oppressed and abused existences.

In the northern part of the Atlantic Ocean on the island of Troldø lives a single farming family. The grandmother Gunhild is the only woman on the island and her son Enok is unable to find a wife. Gunhild's advanced age causes her to worry for the future of the family. So she initiates a plan to get Enok married, a plan that is put into action when the young Eva becomes stranded on the island. But the community must be shaken by several dramatic events before Gunhild can breathe a sigh of relief.

A film depicting youth in the 1930s. Peter Hasvig is captivated by upper-class girl Vera Bagge. At the same time, he breaks up with his girlfriend Ellen. During a trip to Sweden, things don't go quite as Peter would like, as Vera shows more interest in the festive Leslie. Is it too late to get Ellen back? Oh well, it wasn't easy being young in the 1930s either.

Vestø island's isolated community's prize cow is in danger of being abducted by German WWII occupation forces.

Landowner Munk has problems – he cherishes his wild moorland and does not want to parcel it out. His friend Martin Hald tries to mediate, but in vain. At the same time, Munk is worried about his nephew Jørgen, who grew up with him. He is in prison – convicted on false grounds. In prison, he has a friend named "Fusser," and when they are released, Fusser decides to investigate Jørgen's case.

Being yourself – and above all your own master – that is what the film is about. After a short stay at a girls' home, Annie returns to society and has to adapt once again. It isn't long before Annie gets involved in a deadly fight and is even taken to the police station and brought before the court. Fortunately, one of the jurors takes an interest in her and offers to take care of her and give her a home. However, Annie cannot stand this home and runs away.

Summer in the small market town of Stenvig equals life and good earnings for the city's shoppers. Love flourishes side by side with the urge to act, and especially the baker's daughter Susanne makes the young men's hearts beat fast. But when the infatuated Otto gets a little too close, it has major consequences for Susanne.

Two rival young men both desire the merchant's pretty daughter, a bad young man robs the merchant's safe and blames it on "mother-in-law's dream", a worldly-wise grandmother directs the battle of love from her living room, and a couple of silly railway workers spread song and joy.

Sigfred dioecious is an acidic man. Teacher and can not really hate children. When he one day a tile in the head, change his behavior, however, significant. He is cheerful and have a huge appetite for life. Sigfred wife's first unhappy that he is so happy girl, but when she gets him made ​​normal again, she will be disappointed. She wants her new husband back ...

The story opens just before Christmas, when solitary, apathetic bank clerk Flemming Borck uncovers a plot to rob his bank. After doing a little rookie recon, Borck identifies the would-be bank robber as a faux shopping-mall Santa Claus, and counter-plots to steal the money himself and let Santa take the blame. This works out about as badly as you might imagine, and our bumbling protagonist spirals further and further away from the carefree, laconic lifestyle he had hoped to ensure for himself.

Who decides where the cupboard should go in a marriage? The film begins with three cheerful movers, Karl, Fredrik, and Lasse, struggling with a pompous cupboard because an accountant and his wife cannot agree on where it should go. Of course, they eventually agree. Mrs. Accountant is the one who decides. As the three stable brothers drive the moving van away, they run over a young girl. Her name is Lone, and she is the daughter of the accountant they were moving for. She is taken to the hospital with a broken leg. However, love has also entered the picture.

Det Støver Stadig (It's Still Dusting) is the second film in the popular "Dust series" (Støv På Hjernen, Støv For Alle Pengene). Once again, Arvid Müller and Aage Stentoft wrote the festive script, which introduced new customs and traditions to the Danish housing market. The small community in the "sleepy town" is easily recognizable, but major changes have taken place since last time, because the residents of Solvænget have—with municipal support—bought the property they live in, and (something completely new at the time) the wives have had to take jobs to make ends meet! Mrs. Rigmor Hansen is absolutely brilliant as the manager of a Quick laundry. Her "truths" about the new everyday life in Denmark are crystal clear—and eternally young. The property's first general meeting with the guys in the stairwell – and the presentation of the first annual accounts – are golden scenes from the golden age of Danish family films.