Louis Devaivre

When his young son is killed in a hit and run accident, Charles Thenier resolves to hunt down and murder the killer. By chance, Thenier makes the acquaintance of an actress, Helène Lanson, who was in the car at the time of the accident. He then meets Helène’s brother-in-law, Paul Decourt, a truly horrible individual.

Paul, a former womanizer, marries the head of the medical department's "unattractive" daughter Christine because he thinks attractive women can't be trusted and make poor wives. A car accident leaves him bedridden and he begins to miss his playboy days, when Christine's bombshell sister Martine arrives and Paul decides he must have her. He begins drugging Christine at night so he can sneak out to kill of Martine's many suitors one by one.

In 1635, Jacques du Parquet, the nephew of the well known explorer Belain d'Esnambic, enters a tavern in Dieppe, and falls in love with the daughter of the bartender, Marie Bonnard. He knows his noble family would disapprove such a marriage; besides, he is nominated for the post of governor in Martinica. He promised never to forget Marie, but as time goes by, she will accept to marry a rich and unscrupulous man, Monsieur de Saint-André. When her husband is appointed to serve in Martinica as General Commissioner, Marie demands to go with him. At her arrival, all sorts of trouble arrive: pirates take action against travelers and goods, rotten deals set the two officers against each other, and finally jealousy settles to make things worse.

A moralist and surrealist fable in which a group of aristocrats have sole access to a private beach in the midst of Paris, where they enact strange games and stylized gestures.

Two French girls get lost in the woods and accidentally enter the realm of sorceress Morgana Le Fay - who gives them the choice of either staying young forever as her lovers, or rot in a dungeon for eternity.

Commandant Gardefort, horseman at the Cadre Noir Riding Academy in Saumur, having given up hope of promotion decides to retire. To fill his time until then, he buys a mare, Milady, and in two years trains her to the highest dressage haute ecole standards. But he finds himself in dire financial straits over his divorce, and is obliged to sell the mare. She is bought by a rich Belgian banker, who transforms Milady into a circus horse. Visiting him, Gardefort resolves the situation in the only way he sees fit.

Dimanche was supposed to be a didactic film, ordered by the film department of the National Education, intended to evoke the problem of leisure. Bernhard diverts the order and outwits the trap of the ‘thematic’ film. Without resorting to any form of commentary, making use of extraordinary images sublimating common spaces (the boredom of Sundays, the changing of the guard, children playing, a runner in the woods, a football match, …), he constructs with a nifty montage an exceptional work dealing with the sense of void and the fossilisation of the world. (Boris Lehman)

A middle-aged woman leaves her partner and drifts back to her ex-husband, while the lives of her middle class friends intersect with her own.