Thomas Struck

Comic artist Brösel trades a magic pen that helps him come up with funny stories for the promise to fulfill one of Rumpelstiltskin's wishes. The resulting animated films show episodes of the life of Werner, a plumber apprentice and motorbike enthusiast and his friends. They are interspersed with the live-action portions.

Because of a bet, Werner and his friend have to construct the fastest vehicle to win a race, because life depends on it.

A wicked investor wants Werner's residential area razed to the ground in order to build a shopping center. However, building tycoon Günzelsen has not reckoned with Werner. Together with his master Röhrich he's planning to blow away the plumbings with a gigantic obstruction...

Werner, Andi and Eckat play dice to determine the next king of the trio. When Werner is crowned king, he decides for all of them to skip work and start for Korsika.

Werner and Holgi are friends, but also lifelong rivals. Now Werner finally has enough of being the eternal second and is planning his revenge. With his special motorcycle, the 'Red Porsche Killer', he challenges Holgi and his car.

Symphony of a big city: Manhattan's legs rush to work, to a break, to pleasure, to church - or run marathons. Thomas Struck's camera follows them at foot level. Each foot has its own rhythm, which clarinetist Don Byron transforms into jazz. But sometimes a step goes too far. Sex magazine editor Dian Hanson explains how and why.

Amadeus is a small Punker living in a trash can. One day he has got the idea to participate in a punk concert in front of the Brandenburger Tor and convinces his friends to found a band. But still they have no instruments and thus have to gain some money. Meanwhile the eager police officer Herr Schulze is out to chase punks in Berlin and is about to interfere with Amadeus' plans...

Martha lives in Hamburg with her young son and makes films with real passion. To stay close to the pulse of society, she has moved in with a Portuguese family. Teresa helps foreigners navigate bureaucracy, while Martha tries to build a romance with Alfred. Their shared everyday life reflects West German realities, captured spontaneously and with sarcastic wit.