Gérsande Gigi Spelsberg

More is not always more. Or is it? The metal splinter in Fenix's shoulder hurts more with every setback. Fenix survived an armed attack on the queer local café and has been struggling to catch his breath ever since. Between fighting spirit and fear, Fenix radically demands clarification. But the response to Fenix's uncompromising attitude is hatred and further threats, until even Fenix's own community stands in his way.

The young and lonesome 18year old Mercedes visits the legendary techno festival "Heimat" for the first time in her life. She is longingly hoping for experiences of proximity, joy and intensity. Instead, she finds herself confronted with the abysses of this alleged perfect world. In the end, Mercedes sees no way out without committing an act of violence.

Charlie is Not a Boy is the tale of a hushed soul, bound to a crumbling household in an allegorical America. With a perverted butcher for a father and a mother frozen in a quiet, catatonic spell, Charlie seeks solace in the whimsical world of his eccentric grandmother. As his safe haven unravels, Charlie navigates the hostile worlds of home and the military, caught between his authentic self and the masks he must wear.

An experimental short film that captures an intimate, polyamorous night in Berlin shared between three friends—a nonbinary artist, a trans woman, and a queer straight man—each navigating personal transformation. Set during a winter gathering, the film explores love, identity, and the elusive beauty of change through quiet conversations and tender glances, revealing how these moments can fundamentally alter us.

Professional provocateur and artist Maven Shegula has returned to Berlin after a hiatus in Zürich. She’s back to celebrate her 50th birthday, and to appear on a popular German talk show. As she wanders the streets of Berlin with her girlfriend and friend, it becomes apparent that being an artist in this city is no longer acceptable. The humming nightlife has disappeared, and the vibrant creative community pushed to the margins of society. The film is alive with tension, both sexual and otherwise. As Maven’s story unfolds on live television, we learn about her son, her politics, her heritage, and her alter-ego Rosa who champions radical self-expression and feminism. The interview is dispersed with beautiful volcanic eruptions from Maven that act as both a denunciation of the city’s leadership and a love letter to Berlin.