Martin Šulík

Four friends, Karel, Milan, Tomáš, and Vinco, lose their jobs in Ostrava’s working-class districts and, with their livelihoods gone, struggle to redefine themselves. They launch various business ventures but lack experience, leading to repeated failures. Pressure mounts on their friendships and private lives as tensions flare. Through setbacks and mutual support, they embark on a journey of self-discovery, learning resilience, solidarity, and the true meaning of identity and camaraderie in a changing world.

Julie is a woman who seemingly has everything. A handsome husband, teenage daughter and a thriving, undemanding job as a translator and now even a new dream house ... But she also has a secret that is slowly changing her idyllic life...

Jakub's life arrived at a dead-end. He leaves his job, and gets into conflict with his father. The trouble just grows by his relation with a married woman. Breaking out, Jakub realizes the pleasures of the countryside in the old garden of his grandfather. He finds true love with an angel, and encounters various exciting moments of his new free life. Strange visitors arrive, and he wont get back to town anymore.

The principal of an elementary school calls a special parents meeting after it’s alleged that the seemingly empathetic and kindly-looking teacher Mrs. Drazděchová uses her students to manipulate their parents.

The shouted teacher Dušička is not having the best time of his life. He is going through a crisis with his girlfriend who wants to own him. He has problems at school, forcing him to change the way he teaches. He worries about his neighbors, who impose middle-class principles on him. And to top it all off, he finds a live horse at his home for Christmas. The situation is all the more absurd because he lives in an apartment on the second floor of an apartment building. Dušička has no idea how the white man got to him, who he might be, and he has no idea how to get rid of him. But the presence of the circus clown becomes not only a source of bizarrely comical situations, but also a catalyst for his relationships. Dušička recognizes the true face of the people who surround him. Because in a heated situation, everyone loses their masks. He begins to understand that his environment forces him to make compromises that are against him.

Josef is a writer aged sixty, who thinks that nothing can surprise him any more. One evening, though, his phone rings and he finds himself caught up in a series of events that turn his world upside-down. His best friend – also a writer – tries to commit suicide; his young girlfriend Katka tells him she’s pregnant; and the man with hare ears – his alter ego from one of his stories – appears to him in everyday situations.

Ten short unrelated stories that move chronologically through Slovakia's twentieth-century history as seen from the perspective of life in small towns and villages.

Twenty-five films from twenty-five European countries by twenty-five European directors.

Ingrid works as a gynecologist in a district hospital in Slovakia in the late 1980s. Her marriage is at a standstill, she has an affair with a younger colleague in the hospital, and after work, she sits on the abortion committee where they offer Roma women sterilization after the abortion is approved. Eighteen-year-old Agáta, who grew up in a children’s home, comes to work as a nurse at the hospital. Ingrid unexpectedly becomes close to her.

Told from the perspective of man reflecting on his childhood in Prague in the early years of World War II and the eventual destruction of his family as the Nazis rise to power. The storyline focuses heavily on Jewish-Czech Silberstein family members. Drama was filmed on the real events as a tribute to Mr. Nicholas Winton, the British humanitarian who organized the rescue of 669 children, most of them Jewish, from Czechoslovakia on the eve of the Second World War in an operation later known as the Czech Kindertransport from German-occupied Czechoslovakia and likely death in the Holocaust.

After losing her husband, Jarmila finds herself at a crossroads in her life, where she must decide whether to patiently "wait out" the rest of her life or rebel and throw herself into an adventure with an uncertain outcome. Despite the well-meaning advice of her adult children, she chooses the latter. This involves living in a cottage in the romantic wilderness of the Mácha region, which her husband particularly loved. In addition, he bequeathed her a retired circus horse named Buka in his will, which at first glance seems like a cruel joke, because Jarmila is afraid of horses. With the help of her neighbors, she decides to face the situation head-on and soon discovers that, although it didn't seem like it at first, it is precisely this horse that could bring happiness back into her life.

80-year-old Ali Ungar comes across a book by a former SS officer describing his wartime activities in Slovakia. He realises his parents were executed by him. He sets out to take revenge but finds instead his 70-year-old son, Georg, a retired teacher. Georg, who had avoided his father all his life, decides to find out more about him and offers Ali to be his interpreter.

Michal and Juraj, two students of a theological seminary in totalitarian Czechoslovakia, must decide if they'll choose the easier way of collaboration, or if they'll subject themselves to the surveillance of the secret police.

A four-story omnibus depicting different Czech slices-of-life from the titular city.

A tribute to Martin Slivka, one of the most important personalities of Slovak cinematography and culture. He was the creator of Slovak documentary ethnographic film, director, screenwriter, dramaturgist, film theoretician, pedagogue, author and ethnograph, but mainly – exceptional person. This documentary is not only a remembrance of maestro Slivka through words of his close friends and colleagues, but also an attempt to slightly uncover the secret of his rich life and work.

In Slovakia, the sixteen year-old Terezka is discharged from her school with a letter to her mother. Along her surrealistic journey to find her mother, Terezka entwines reality and fantasy and meets a man that is hired to burn clothes; a woman buried on the ground; a young bride that is marrying the forty and something year-old widow of his brother to support her family as a tradition in their village; her younger brother that is intern in a special school; a decadent TV comedian and his wife; a powerful mobster in the kitchen of a restaurant; one lover of her mother in her former address; and finally her promiscuous mother that advises her to travel through the world.

A Czech director wrestles with problems personal and political during the Prague spring of 1968.

A film about the uncertainties faced by a man in post-Communist Slovakia, his relationship with a teenage son and English teacher girlfriend who's soon to return home to England.

Emília Vášáryová. We know her face from newspaper and magazine covers and movie posters, yet we know so little about her. For more than sixty years, she has helped shape modern Czech-Slovak theater, film, and television, but only a few of her colleagues know the sources of her creative efforts. The film takes viewers on a journey through time, allowing them to understand the context of the actress's life and artistic endeavors.

For 14-year-old Adam, the world of his poor Romany village has only two joys: boxing and Julka, a friend his same age. But after the violent death of his father, the boy experiences life’s harsher side: his mother remarries and his stepfather demands obedience without seeking to deserve Adam’s respect. Gradually everything the boy was attached to starts to fall apart around him, and if his dead father hadn’t visited him he wouldn’t even know which path to take. The inexperience of youth, loneliness, and impulsiveness prevent him from using reason and cool consideration to face the obstacles in his way, and he even sometimes provokes those who stand by him. And thus he finds himself in a situation for which there is only one solution.

Eduard Grečner. Film director, dramaturge, publicist and poet. A talented fi lmmaker with precise artistic goals which, due to circumstances and the times, he was not always able to realise. Refl ections on the ideological and aesthetic starting points he consecutively followed during his creative career, [as well as] on the meaning and mission of art and the principles that art should never abandon. [It is] about reality limiting the freedom of artistic expression, confl icts with power and the consequences that Eduard Grečner – a human being and an artist – decided to face without ever compromising his own views and conscience, because the truth is all there is.

A wonderful dark tale of coming of age in a country in transformation - then Czechoslovakia (now Slovakia) in 1990s. Against the backdrop of a regime change and general crisis of basic values, a young man is finding his way into adult life. Playing a part in a love (hate?) triangle he does not fully understand until the conclusion, he desperately tries to make sense of the unpredictable behavior of the other two main characters which is linked to the secrets lurking in their past. All this while he is not sure about his own role in a world where yesterday's truths mean nothing today. Brilliant actors in a brilliant film that even gives you a glimpse of hope at the end.

What is “Slovakia”? How to explain the notion of “Slovakia” of the past 20 years to an unknown stranger, a visitor from another planet? What is the genetic makeup or the software for “Slovakia”? How to use it? How does it change? Slovakia 2.0 is a film about twenty years of independent Slovakia as seen from the perspective of ten film directors. It is composed of ten 10-minute films of different genres ranging from drama, through animation and documentaries, to experimental film. The ten recognised film directors who offer an answer to what is Slovakia include a wide range of generations, views and genres, namely Juraj Herz, Martin Šulík, Peter Kerekes, Zuzana Liová, Mišo Suchý, Ondrej Rudavský, Iveta Grófová, Peter Krištúfek, Viera Čákanyová, and Miro Jelok.

War takes its cruel toll, which everyone must pay. It hits a small Slovak village especially hard, where the struggle for a bare life becomes a test of human character. For two impoverished friends, Jakub and Maja, struggling through poverty is more than difficult. Jakub delivers sour milk from somewhere on his cart to the entire village and lives in a dilapidated house with his sister Tereza, whose caregiver and guide through life is the experienced woman Mara, who provides herself with money from seduced soldiers. Maja, on the other hand, is a foundling and homeless man who does whatever he can to survive the next day. The only consolation for the two inseparable friends are the circulating tales of a kind of promised land, where there is no poverty or hunger, and where they could both go. Only this vision, this idea alone keeps the two of them and the rest of the village on their feet, and gives them hope for a better tomorrow.

Two-part documentary about the Czechoslovak "New Wave" in the '60s, including interviews with directors, actors, and others involved in the industry at the time.