Simon Perry

Winston Smith is a government employee whose job involves the rewriting of history in a manner that casts his fictional country's leaders in a charitable light. His trysts with Julia provide his only measure of enjoyment, but lawmakers frown on the relationship -- and in this closely monitored society, there is no escape from Big Brother.

In the menacing inferno of the old North-American West, Liz is a genuine survivor who is hunted by a vengeful preacher for a crime she didn’t commit.

The girlfriend Klara has recently fallen in love and wants nothing more than to hang out with her boyfriend. The mother-of-two Anna clocks how long it takes for her husband to cook baby formula. The ex-wife Vera can't let go of her ex-husband. The feature-film debuting Katja Wik presents a squib right on the money about women's tendency to, both consciously and unconsciously, limit themselves in their close relationships of two. Each frame conveys the film's theme of power manipulation and Katja Wik's neologism "victim-mentality rhetoric" (offerrollsretorik) is used by all parties as an effective weapon. Without stagnating in bitterness, The Ex-wife serves as a funhouse mirror reflecting this disturbing trait, which most of us can recognize, but which few dare to acknowledge

Sascha, the young and beautiful trophy girlfriend of a Danish drug lord, arrives at his holiday villa in the seaside town of Bodrum, on the Turkish Riviera, where she is welcomed into his inner circle. Under the summer sun, she lives a carefree dream of luxury and fun until she meets Tomas, a Dutch traveler trying to discover himself.

In 1947, Lord Mountbatten assumes the post of last Viceroy, charged with handing India back to its people, living upstairs at the house which was the home of British rulers, whilst 500 Hindu, Muslim and Sikh servants lived downstairs.

Summer 1962 and Olli Mäki has a shot at the world championship title in featherweight boxing. From the Finnish countryside to the bright lights of Helsinki, everything has been prepared for his fame and fortune. All Olli has to do is lose weight and concentrate. But there is a problem – he has fallen in love with Raija.

A film about Johnny Bode. Schlager diva, Operetta hero, filth musical innovator, enfant terrible, compulsive liar and amoral rogue. Johnny Bode (1912-1983) was very successful in Sweden and Europe. Yet he is today almost completely forgotten. Why? His life was so overwhelming, glamorous, fast and bizarre. So un-Swedish. He became fascinated by the nazism. Was arrested by the Gestapo and detained at Grini concentration camp in Norway. For five weeks. After the war he moved to East Berlin and proclaimed himself a dear friend of the GDR. Later he was deported and returned to Sweden. A time of fencing and small crimes followed. Escaped to Brussels at first and later Vienna. He was, as Juan Delgada, hired by the Vienna Opera to create new operettas. And was very successful. Johnny Bode died exhausted alone and abandoned in Malmö during the summer of 1983.

In September 1938 a British detective comes to a small French coastal town in order to investigate the death of a colleague. Prime suspects are the members of English aristocratic family with plenty of skeletons in the closet. This is a loose adaptation of the Agatha Christie novel Towards Zero.