Michael Greenspan

A man awakens in a car wreck at the bottom of a steep cliff. He can't remember who he is or how he got there, but a report over the radio fills in some of the blanks, as it describes a violent bank robbery and names a perpetrator who happens to be sitting dead in the back seat.

Rent’s a bitch. And that is why, six months after her best friend went missing, Amanda finally gives in to getting another roommate, Hailey. The two college students turn out to have something in common, however: abusive men. For Hailey, it’s her dad. For Amanda, it’s a stalkery ex-boyfriend. But problems can be solved and, you know, you scratch my back, I scratch yours. In other words, Kill for Me, I kill for you.

Israeli attorney Hanna Kaufman's beliefs are challenged when she's appointed to the defense of Selim Bakri. Kaufman, born in the United States to survivors of the Holocaust, has always accepted Israel's right to exist. However, she bears witness to some of its sovereign costs when she meets Bakri, a dispossessed Palestinian man facing serious criminal charges who wants the same thing as his supposed enemies: to reclaim his family home.

Two police detectives try to track down a vicious serial killer bent on reclaiming his mother's family heirloom wedding ring as it passes from bride to bride with the killer always one step behind, and the detectives one step behind the killer.

The story of Israel's first fifty years of statehood, TKUMA brings to the screen the tragedies and joyful milestones of Israel's first half century: the ingathering of the exiles as the fledgling state becomes a haven for Jews around the word. Dramatic, personal accounts and documentary footage of the wars fought over five decades, along with rare behind-the-scenes insights into Israel's efforts to make peace. Who is a Jew Israel wrestles with its national identity. Israel's economic revolution takes the country from the orange to the computer chip in a few years. The people, the places, the spirit of Israel in its first fifty years.