Karel Gult

Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Salzburger composer Wolfgang Amadeus Mozart.

Three hundred years after she fled the Witch Academy for love, Saxána has settled into a comfortable human life with her husband and daughter, until her curious little girl, Saxánka, uncovers her mother’s hidden magical past and is whisked away to the Fairy Realm. There, amid dwarfs, dragons, and mischievous spirits, Saxánka with her newfound fairy friends to unravel a tangle of enchanted dangers and stop the comic-book gangster Crashman from plunging the realm into ruin.

The film is a metaphor for the Cold War. It depicts two neighbouring nations: peace loving Fortuna and the not so peaceful land of the Steel City.

The film, which opens with students arriving at a police academy, is a crazy comedy that is more a series of zany episodes and jokes than a coherent story. They are linked by a simple plot in which the commander of the police academy, Major Maisner, searches among his recruits for an alleged FBI spy and, after a not-so-subtle practical joke, gets into a dispute with his subordinate, a dispute that ends in a genuine bank robbery.

The main characters left their original professions of waiter and taxi driver and rented a thriving disco Brooklyn. However, their peaceful life is disrupted by the con man Kadlec, who has not forgotten that it was they who put him behind bars two years ago. All this time, all he's been thinking about is revenge. The formerly petty crook, with the help of his accomplices, his son-in-law Buresh and fellow prisoner "The Engineer", joins the drug trade and begins his revenge. Michal is arrested for the rape of a girl he has never seen in his life, and it doesn't take much for Tomas to figure out that Kadlec is behind it all. What Tomas also doesn't realise for a long time is that the sympathetic Ivana, who has joined their business and with whom he has fallen in love, also works as a luxury prostitute and was put into the business by Kadlec.

The castle is preparing for the arrival of the princess who inherited the estate, the miller is in love with Hanička, as is the water sprite from the millrace, the teacher wants to complain to the authorities about his poverty, and the musician Klásek is running away from his wife. Seemingly everything is like something out of Jirásek. But that would be impossible if Josef Dvořák were playing the steward, the bailiff, the water sprite Michal, and Klásek. Hanička couldn't be missing parts of her underwear, the butler Franz couldn't have a suspicious fondness for his baroque outfit, and the princess (who got the estate back through restitution) shouldn't fall into unintentional (and unacted) fits of laughter.

The fate of father and son Horáček, but this time they switched roles. Jirka has married, settled down and grown up, while his father is in trouble because he has "second lymphoma" and, feeling that he is missing the last train, he starts a relationship with a stripper, Ala, dyes his hair, but mostly he likes a pretty and kind nurse, Lucie. Although he behaves in such a way that it seems to others as if he has lost his mind, everything turns out well, of course.

The town is waking up. The bus driver Josef Král is saying goodbye to his wife Vera who is in a state of advanced pregnancy. At the rolling mill, the master craftsman Mares is preparing for retirement, which is now only two days away. Elderly Simon who grows and sells vegetables at the market has problems with his wife. Their little home has to give way to a new development but the wife Simonka refuses to move out. The chairman of the workers' council has troubles with the miner Adam, who has started drinking. He doesn't know that Adam is getting divorced and fears he may lose his young son to his wife.