Steve Albini

Don Koch tries to renovate a rundown mansion with a sordid history for his growing family, only to learn that the house has other plans.

Fans and luminaries of the Chicago music scene explain their reactions to Liz Phair's EXILE IN GUYVILLE album and the mark it made on indie rock in the early 1990s.

For the first time ever, the story of guitar pedals and effects will be told by the people who make them and the artists that use them. Coming in 2021, The Pedal Movie, Reverb's first-ever feature-length film, will dive into the culture of pedals and tell the story of how a small industry grew from a handful of companies into the galaxy of different makers building pedals today.

In 2007, 11 years after one of the most influential American punk bands, Jawbreaker, called it quits, the three members, Blake Schwarzenbach, Chris Bauermeister, and Adam Pfahler reconnect in a San Francisco recording studio to listen back to their albums, reminisce and even perform together one last time. Follow the band as they retell their "rags to riches to rags" story writhe with inner band turmoil, health issues, and the aftermath of signing to a major label. Featuring interviews with Billy Joe Armstrong, Steve Albini, Jessica Hopper, Graham Elliot, Chris Shifflet, Josh Caterer and more.

YOU CAN COLOR OUTSIDE THE LINES, THE BIG BOYS tells the true story of the beloved funk/punk band from Austin, Texas. Go beyond Austin's city limits and hear from some of music & skateboarding's greats about how the original "skate punk" band's message of DIY positivity still resonates today. Hear from such legends as Tim Kerr (Big Boys), Fred Armisen (SNL), Tony Alva (Dogtown & Z-Boys), Jeff Ament (Pearl Jam), Exene Cervenka (X) & many more as this VHS-inspired trip takes you back to those hot summers of Texas in the 80s. And then go make your own art!

From 1988 to 1994, near Père Lachaise cemetery on the eastern side of Paris, the Etablissements phonographiques de l’Est (Eastern Phonographic Venue), aka EPE, was a multidisciplinary venue hosting the crême de la crême of the international experimental, radical, industrial, noise, avant-punk scene. A record shop during the day, an underground venue at night hosting in its basement gigs, performances, screenings of video art and experimental cinema, readings, bondage workshops, fanzine exhibitions. At the junction of late 80’s and early 90’s, EPE saw the end of industrial music and the birth of the still highly influential avant-punk scene.

Big Black's final show, at the Georgetown Steamplant in Seattle, August 9, 1987.

Big Black recorded live at the Hammersmith Clarendon, London - UK, in the summer of 1987.