Willy Peters

In the midst of a civil war, a pair of former violinists in a tempestuous marriage oversee a farm on a rural island. In spite of their best efforts to escape their homeland, the war impinges on every aspect of their lives.

A television adaptation of August Strindberg’s A Dream Play, the film follows Agnes, the daughter of the god Indra, as she descends to Earth to witness the conditions of human existence. Through a succession of loosely connected scenes, she encounters individuals from different walks of life, with events unfolding according to dream logic rather than linear narrative.

A Swedish drama from 1939 about the social and political developments in Sweden from 1885 until the dissolution of the union in 1905. The year is 1885, Christina Nilsson sings "Fourteen years I believe certain that I was" in the Grand Hotel's Great Hall . She also sings from the balcony of the hotel and the panic arising among listeners outside the hotel. In Norway, talks about the dissolution of the Union and the Swedish socialists with Hjalmar Branting (Victor Sjöström) is in the lead for independence.

This adaptation of Emile Zola's novel "NANA," is about the sexual liaisons of a woman who through her relationships with different men, enjoys a life of pleasure and luxury. However, her lavish life-style does not always bring happiness.

"How crazy!" A man and a woman watch episodes from Nils Poppe movies outside a cinema Maxim in Stockholm. Poppe represents, among other things, a poor composer who vainly tries to get a tune adopted by a publisher. The failure makes him depressed, but he is living it up by meeting a good friend Calle, who invites him home. Poppe stays for a few days as a male housewife. Calle has a music store and there the two friends can go crazy among all the instruments.

Sven, a vicar, and his pregnant wife, Anna, live in the vicarage of a small village in Northern Sweden. Anna's friend Hedvig comes to visit, and soon after, mysterious hauntings and deaths begin to occur.

Maria is a waitress at a local restaurant when an older man propose to her. She is a bit skeptical but agrees to marry him and become the mistress of his estate Kvarngården. Maria had a son which she was forced to give away for adoption when he was born because she could not take care of him. She has keep contact with the child and posed as a kind aunt. She has not told her new husband about her son and when the years go by and no children of their own comes along the resentment and bitterness grows. When the adoptive mother of Maria's son dies she and the adoptive father agrees that the best thing for the boy is to come and stay with Maria at Kvarngården. She also hope that it will make her husband come out of his bitterness to have a young boy around. The result is unfortunately quite the opposite.

A poor Jewish family, called the Riffraff by the author, puts the great Joe Meng at the heart of high-flying plans and imaginative flair.