André Heller

A structure-free, four-part examination of the rise and fall of the Third Reich. Each part explores a different topic, from Hitler's cult of personality in propaganda to how said propaganda was associated with pre-Nazi German cultural, spiritual, and national heritage to the Holocaust and the ideology behind it, particularly from Himmler's point of view.

A young Viennese policeman can not free himself from his mistress and is also extorted over his illegal arms business.

Documentarians Andre Heller and Othmar Schmiderer turn their camera on 81-year-old Traudl Junge, who served as Adolf Hitler's secretary from 1942 to 1945, and allow her to speak about her experiences. Junge sheds light on life in the Third Reich and the days leading up to Hitler's death in the famed bunker, where Junge recorded Hitler's last will and testament. Her gripping account is nothing short of mesmerizing.

"Spring Symphony" is the story of Robert Schumann and Clara Wieck. Both were music entities. Robert Schumann turns out to have been a second tier composer, if that, never rising to the heights of a Beethoven or Mozart. In contrast, Clara Wieck was a master technician in the playing of the piano, a composer (probably not at Schumann's level), and was a child prodigy.

A musician beds down a prostitute he knows is diseased in order to gain inspiration, an act he later believes to have been a tacit pact with Satan

The village innkeeper Lejba Sibal and his pregnant wife Sura are threatened by Lejba's former farmhand Georg, who wants to kill them both at Easter. After Lejba has sought help from the authorities in vain, he decides to fight back himself.

Young Patricia wanders through a Viennese night full of lust for love, visions of drugs and violence, gleaming frenzy and dark alleys.

Based on a popular 1931 play, the film tells the fate of a naive young woman named Marianne, who breaks off her reluctant engagement with Oskar the butcher after falling in love with a fop named Alfred who, however, has no serious interest in returning her love. For this error, she must pay bitterly.

Paul Silberstein, youngest son of an urbane but deeply strange old Austrian dynasty of confectionery millionaires, discovers the power of love and humor - and also his own extraordinary ability to shape his realities. Based on the motives of the short story with the same name by André Heller.

Gustl Bayrhammer takes audiences big and small on a musical journey to “Wonderland”. There he meets various characters from comic books, fairy tales and legends.

Aufführung vom 09.02.2020 in derf Staatsoper Berlin. André Heller is staging "Der Rosenkavalier" (his first opera production) at the Berlin State Opera. The story of a young nobleman caught between two women in Maria Theresa's Vienna is full of bold twists and fantastic entanglements. And as if made for an imaginative realization with all the means of modern theater. André Heller can rely on a first-class ensemble... André Heller is a chansonnier, actor, circus founder, vaudeville maker and stager of spectacles in which a variety of genres are combined with exuberant fantasy. In Berlin, Heller follows in the footsteps of Max Reinhardt, who ruled the Berlin stages at the beginning of the 20th century and revolutionized the theater with a multitude of innovations. Reinhardt also staged the world premiere of "Der Rosenkavalier" in 1911. It will be interesting to see how today's multimedia genius deals with the legacy of the great theater genius of yesteryear.

A structure-free, four-part examination of the rise and fall of the Third Reich. Each part explores a different topic, from Hitler's cult of personality in propaganda to how said propaganda was associated with pre-Nazi German cultural, spiritual, and national heritage to the Holocaust and the ideology behind it, particularly from Himmler's point of view.

The three-part documentary “Beckenbauer – The Last Emperor” chronicles a life so exuberant it feels as though it were more than one. Torsten Körner, who co-wrote the highly acclaimed biography “Der freie Mann” with Franz Beckenbauer 20 years ago, has crafted a historically precise, at times nostalgic journey through life that connects Beckenbauer’s private life with his public one, the real with the imaginary. From Munich’s “Giesing” neighborhood—known as the “Glasscherbenviertel”—to the hearts of the German people and ever higher, all the way to New York; from the 1966 World Cup to becoming a global figure; and as the “Emperor” and a “beacon of light,” to the most famous German in the world: “Beckenbauer – The Last Emperor” illustrates, as rarely before, what constituted the modernity of both the soccer player and the “pop star” Beckenbauer.