Arnar Jónsson

Two small-town singers chase their pop star dreams at a global music competition, where high stakes, scheming rivals and onstage mishaps test their bond.

On a romantic getaway to Iceland, a young American couple wake up one morning to discover every person on Earth has disappeared. Their struggle to survive and to reconcile the mysterious event lead them to reconsider everything they know about themselves and the world.

The film tells the story of a young farmgirl moving to Reykjavík after the second world war, and her attempts to adapt to the city life.

Fúsi finds comfort in the familiarity of his routines, until an involuntary dance class forces him to encounter the real world.

Rainbow’s End tells the story of inter-generational family conflict. Is a haunting work that remains as affecting and original today as when it was first released.

Águst Guðmundsson directed this Icelandic period drama, adapted from the short story We Must Dance by William Heinesen, and set on an island in 1913. Pétur (Gunnar Helgason) narrates, recalling the days when mainlanders arrived for a wedding. Flirtatious Sirsa (Pálína Jónsdottir) marries Harald (Dofri Hermannsson), son of a wealthy landowner on the island. Offshore, a ship is sinking, so the men form a rescue party, returning with the captain, the engineer, and several sailors. With a storm gathering, the engineer dies. The clergyman requests an end to the festivities as a mark of respect. Sirsa protests, but her new husband brings the celebration to a halt. The group then fragments into different activities, drunken or otherwise, and the sensual Sirsa directs her attention toward the handsome Ívar (Baldur Trausti Hreinsson). The film's score features traditional folk music.

Luna is on the autism spectrum and doesn't like talking to other people. But when her dead spider friend Gullas mysteriously disappears, she has to embark on a dubious mission.

Two sailors are under pressure from the fishing company to fish a lot of fish, but other problems arise.