Sudhendu Roy

A woman is caught between one man's love and another man's obsession. She fears one and fears for the other. One stands for love and the other for life. Who will she choose?

Honest police officer Surajbhan would like Rajeshwar Nath to provide all the material documents that can prove Raiszada Narsingh is a hardcore criminal. When Raiszada learns of this through his henchman Hansukh he kills Surajbhan and frames Rajeshwar Nath for this killing. Years later Surajbhan's son Ajit grows up with Raiszada and is willing to locate Rajeshwar Nath who now calls himself Girija Shankar so that he can avenge the murder of his dad.

Vikram Mayur is looking after his late brother's eight-year-old son and is torn between choosing to take Nandu back to England to learn his family's business, or risk throwing it all way.

After mistaking a flight attendant's attention for love, a wealthy, spoiled man becomes obsessed with her and soon tears her life apart.

When he discovers an infant girl on the site of his latest job, notorious hit man Govindram (Balraj Sahni) turns his back on his employers and lays down his guns for good, deciding to raise young Rajni as his own child. Years later, the idyllic life that Govindram has built for Rajni and himself is in danger of being destroyed when the secrets of his dark past threaten to boil to the surface.

Vijay Singh is a disgraced former Merchant-Navy officer who is branded as a coward after he abandons his crew during an emergency. Guilt-ridden and trying to forget his past, he takes up work at a coal mine where he gets trapped with other miners after a flood hits them.

Dara and Karan, the sons of two of the victims of dacoit Jogi Thakur, wait many years to exact their revenge. When the Thakur's colleague Raja Singh cheats him and runs away with his loot, Jogi is arrested and sentenced for life imprisonment. Years later Jogi escapes from the prison to get hold of Raja and take back his booty, but finds his face on all the posters in the village to find him dead or alive with a reward of fifty thousand rupees. When Karan gets to know Jogi has escaped he goes looking for him. Dara also join hands with Karan to even the score with the dreaded dacoit.

Vijay is in love with Suman but she gets married to another man and eventually, he too marries another woman. Years later, their children happen to fall in love with each other.

Widowed by the sudden passing of his wife, Superintendent of Police, Choudhry, brings up his son, Rajesh, on his own, teaches him all known good values, and when he grows up sends him to College in Bombay, and remits money to him regularly. Choudhry would like to transfer to Bombay Police, so that he can be close to his son, and then one day out of the blue, his transfer is approved, and a delighted Choudhry writes to his son to pick him from the railway station. Upon arrival in Bombay, he does not find his son at the Railway Station, but when browsing through a newspaper he sees his son's photograph - wanted for the murder of a card-sharp. Shocked and dismayed, Choudhry attempts to piece his life together and attempts to find Rajesh before the City Police do - for he may well face the death sentence. Choudhry does find him, but only after Rajesh is accused of killing a woman named Kishori, and this time Choudhry is quite sure that there is no hope for Rajesh.

A famous singer, Aasha, falls in love with a truck driver, who believes his wife is dead, but when Aasha discovers that his wife is alive, she struggles as to whether she should reveal this information, and possibly lose him.

Two men take shelter in a derelict mansion situated in the countryside during a storm. One of the men suddenly becomes aware that he once visited this mansion in a past life; he recounts a story about when he was Anand, a painter, who fell in love with a tribal girl named Madhumati.

The film is soliloquy of a man who comes home to find that his wife and son are not at home, he assumes that they have left him and reminiscences his life with them, and scared of his life without them, he regrets his past indiscretions. The suspense is only revealed in the end.

In ancient Rome, a mourning Jewish man raises the kidnapped daughter of Roman royalty as his own - and she grows up without learning her true identity. Years later, she falls in love with a Roman prince.

When his brother's tragic death leaves his pregnant fiancée devastated, playwright Amit selflessly marries her to protect her from societal contempt. However, when fate brings him face-to-face with his former flame, love proves to be stronger than marital vows.

Rajesh Khanna plays Mumtaz's jealous husband who begins to doubt her fidelity when his best friend Sanjeev Kumar enters their lives. She is unable to convince Rajesh Khanna that she loves only him. He leaves her, not knowing that she is pregnant with his child. Depressed and confused, Rajesh Khanna becomes a homeless wanderer, while Mumtaz remarries to provide a secure home for her child. Many years later, the truth dawns on him as he turns up, a broken man, at his own daughter's wedding.

Abandoned as a child, Brahmachari lives in a mortgaged house with twelve young orphans. He saves a woman from dying, and she changes his life forever. But first she has to deal with her own affairs.

Although Krishna and Radha are in love, their class differences prevent them from getting married; Radha eventually marries a man named Gopal, but leaves him soon after giving birth to her daughter without giving notice.

Neena and Kumar meet while on a trip in Kashmir and eventually fall in love. However, another man, Shyam, discovers that Neena is the heir to a large fortune and schemes to win her.

Sunil leads a poor lifestyle along with his widowed mother, and two school-going siblings, Anu and Tikku. He gets married to Lakshmi, who soon gets pregnant. Anu graduates from school and each of the family make individual sacrifices so that she can attend college. During Diwali, Lakshmi falls down the stairs, is hospitalized, has a miscarriage, and will never be able to conceive. Sunil decides to keep this a secret from the rest of the family, but subsequently confides in his mother. When Lakshmi finds out she wants him to re-marry, but he refuses. Then Tikku is sent to live with his maternal uncle for a few days. Shortly thereafter the family will be faced with three crises as Anu prepares to elope with a wealthy fellow collegian, a death, and a theft.

Dilip Kumar in Triple Role

Moti is a merchant who sells jaggery in the market, with the help of an older woman, Mahjubhi, who makes exemplary jaggery. He is in love with a village girl, but cannot afford to pay the dowry/marriage expenses to her father. So he decides to marry Mahjubhi, while secretly harbouring the dream of saving enough money for dowry and marrying the village girl. After marrying Majubhi, Moti extracts a lot of work from her to this end. He eventually does collect the amount and divorces her, accusing her of infidelity. Shortly after that he marries the village girl, and goes back to his business of selling jaggery, but faces the consequence of losing Mahjubhi's jaggery.

An army officer's wife is unsure if the man she is living with is her husband or his look-alike.

Tells the story of newly weds Hamid and Salma. They move into a rental flat next door to the local red light district. The flat had been the former home of a well known mujra and qawali singer, Shamshad. Men still come to the door in the hope of seeing Shamshad and do not seem too put out by seeing Salma despite her protestations. The couple struggle to live within the bounds of their own moral code while the earnings of prostitution seem to be flaunted around them. Hamid gets more and more angry and seemingly unable to reconcile his morality with the immorality of the world and at one point beats his wife and then rapes her making her into a 'whore' of his fantasy. The story here bears resemblance to the later 'Ek Chadar Maili Si' by the same director and seems to explore the complex world of women and sexuality as viewed by Indian men: mother, goddess, whore. This film also explores the ethos of prostitution in its reality and as a metaphor for the outside world.

A wealthy widow refuses to leave anything to her selfish son. In order to win her affection, he introduces her to his fiancee, Deepali, who is a girl he hires to play the part.