Amleto Palermi

Mastr'Antonio Miciaccio caretaker and shoemaker is devoted to Saint John Beheaded and is trying to find out who has been stealing the oil that keeps the candle to the saint burning. He also does not approve of his daughter's boy friend and he does not want him to marry her.

Gianni is a poor, young newspaper salesman in Rome. However, during his vacations he poses as Count Max Varaldo, an aristocrat. Once, on a cruise in Naples, he meets Donna Paola, a wealthy snob, and her shy maid Lauretta. After trying to establish a relationship with Donna Paola, Gianni, disappointed, decides to drop his alter ego Max and propose to Lauretta. However, she now believes that he is a Count, which leads to a series of comic misunderstandings.

Alberto, a newspaper man, tries a one-time shot of living the good life with the help of his penniless mentor.

Carmine Gallone and Amleto Palermi’s The Last Days of Pompeii 1926 stages in sumptuous colour tinting the epic fall of the ancient city buried by Mount Vesuvius’ eruption. Adapted from Edward Bulwer-Lytton’s love story, the film was innovative in its special effects and an early major box-office hit. A beautiful tinted restoration print was prepared using photochemical processes by Centro Sperimentale di Cinematografia-Cineteca Nazionale in the mid-1990s and the premiere screening of the restoration print was held in the amphitheatre in Pompeii, followed by a screening at the major restoration festival ‘Il Cinema Ritrovato’ in Bologna in 1998.