Mikhail Konovalchuk

Marta and Manu are two Brazilian actresses that decide to move to Moscow to study the Stanislavski method. There, wrapped around a complex love triangle, they must overcome their differences to survive in a different country.

1945. Young German soldier is hiding from Soviet soldiers in abandoned house. Every day he sees a girl who moved to the house next door until finally he falls in love with her.

While detained in one of the Soviet Gulags (prison work camps), Maria fell in love with and had a child by one of the camp guards. However, in order to save her baby, she was manipulated into a situation where she had to betray her lover. The main attraction of this film is the clear depiction it gives of the harsh conditions of life in these infamous camps.

Ivan Khristoforov discovers the strange property of foreseeing explosions. Trying to understand the reason and meaning of this unusual ability, he turns to family history. The attention of the secret public service doesn't bode well for Khristoforov. The imaginary journey of the hero in his past, bearing the imprint of a children's worldview, and the present, at times just like a dream.

The thirst for a miracle lives in every person. The hero of the film, Fedor, witnesses an accident, as a result of which people close to him die. He decides that he was not saved by chance and now must change his life. Fedor is trying to live the way Orthodox hermits lived, tormenting himself with prayers and fasts. In this new world, he finds a guide - Father Hilarion. The hermit finally has hope that he will soon become an eyewitness of Revelation. But Father Hilarion is being killed absurdly and senselessly. Having experienced deep despair, Fedor will return to the people, experience love and jealousy, hatred and fear. And only when he reaches the edge - having decided to kill - will he become a witness of a miracle...

The film tells about the "new Russians" who want to buy a cottage and find themselves in the house of a dead writer, whose family members meet the main characters in different ways

Это военно-морские байки, повествование о том, как на военно-морской флот прибыл гражданский штурман с обезьянкой на плече. В первый же вечер он обыграл своего командира на бильярде, не зная, что это его будущий командир. Штурмана ссылают на минный тральщик, который нужно отремонтировать, чтобы продать невероятному противнику «на иголки». Для ремонта с гауптвахты берут самых отчаянных матросов. Когда приходит время передачи корабля вероятному противнику, матросы топят его.

In the center of the film is the image of a large rickety wooden house, the inhabitants of which constitute a mysterious symbiosis.