Esko Salminen

A Finnish man goes to the city to find a job after the mine where he worked is closed and his father commits suicide.

Semi-fictitious biopic of Finnish poet Eino Leino, made with a large budget to celebrate the 100th anniversary of his birth. The film concentrates on his relationships with first wife Freya Schoultz and later muse, poetess L. Onerva. His friends include equally central figures of the Finnish cultural scene in the early 1900s, such as painters Halonen and Gallén-Kallela, and composer Sibelius.

A private detective engages in a sexually-charged relationship with a real estate broker.

After Nazi Germany invades Poland in September 1939, Russia attacks Finland two months later. Finnish reservists leave home and go to war. Brothers Martti and Paavo Hakala, farmers from the municipality of Kauhava in the province of Pohjanmaa/Ostrobothnia, serve in a Finnish platoon.

A fisherman's son accidentally ends up in a leper colony in 1742.

A film group is making movie in the little town. Writer Pentti Töysä interrupts film group's press conference and claims that script is written by him and it is based on true story. Töysä also says that he has written a new ending to the movie and that it reveals an old murder. Not everyone is happy about the new twist.

1943: Nine-year-old Eero whose father is killed during the war is brought to Sweden to foster parents to his protection like thousands of other Finnish children. Eero feels lost, particularly as his foster mother Signe behaves very unfriendly. She was expecting a little girl and still mourns for her daughter who drowned in the sea.

This biographical film celebrates the little-known life of the Finnish novelist and revolutionary Maiju Lassila (Asko Sarkola), born in 1868. Lassila's early years are briefly shown, then the film richly details his active and paradoxically reclusive adult life, beginning with his sojourn in St. Petersburg, working as a businessman. Unable to stay away from politics, he caused the assassination of a high-ranking Czarist and as a result, had to run back to Finland to hide. Once established in the comparative safety of a small village, he taught school in order to support his real vocation as a writer. Always living on the edge of poverty, if not square in the middle of it, Lassila continues to avoid public contact - he keeps his identity low-key and camoflages it by publishing under a variety of pseudonyms.

One man's quest for revenge in a post-apocalyptic world

When Hamlet discovers his father’s deceased body, he finds himself pulled into a power struggle as his scheming uncle attempts to secure a monopoly on the Scandinavian rubber duck industry. Will Hamlet avenge his father? Will he become the king of rubber ducks? Does any of it really matter?

An adult love story – as wistful as a Finnish tango.

Middle-aged Maire's husband spends most of his time abroad on business. Alone in their large house, Maire fills her empty life by absorbing other people's tragedies from tabloid newspapers. Obsessed by the story about a young single mother whose husband was killed and the killer got away with it, she befriends the young widow who would rather forget the whole event and go on with her life.

A film about the end of the world.

Ilona, a young teacher, arrives in a village in Tavastia. She and Aarne, the wealthy owner of the Niskavuori farm, who is frustrated with his marriage, fall in love. The relationship becomes a public secret. Aarne's wife Martta, who owns half of Niskavuori, wants to hold on to her husband until the last. For Loviisa, the matriarch of Niskavuori, the most important thing is the reputation and honor of the family.

A film that pushes every stereotype imaginable about Finland, and then some. Indeed, coming in the same year as Finland’s 50th anniversary, the film’s whole premise is about presenting Finland in hilarious fashion to foreigners and perhaps also making fun of some of the myths of Finnish culture for Finns themselves.

Anders flees his drug debts to his former home village. Once there, he must come to terms with his past.

Antero Rousku is a storeman in a paint store. His job requires raw muscle power, mixing paints and carrying house repair materials around to earn his daily bread. But the basic salary is not enough for Rousku. He also sells a lot of stuff on the side from the storeroom directly to Jylhäkorpi, a frequent visitor, bypassing company bookkeeping. Rousku's colleague in the cellar storeroom is Raninen whose life consists of work, quarreling with his wife, and lottery. Raninen wants to win the main prize but he wants to have the right numbers in exactly the order in which they appear from the lottery machine. Raninen is not the sharpest pencil in the pencil box. Rousku's freedom is threatened by his relationship to the saleswoman Karita. Rousku wants to keep a distance to the woman except in bed. Karita has decided otherwise.

Pirkko Mannola and Esko Salminen play young pop stars of the same name, who develop a secret romance that is kept hidden from the other musicians in the pop orchestra. Between musical scenes, Pirkko introduces Esko to Ville Salminen, Toivo Kärki, and Reino Helismaa, among others, and gets him a spot in a big pop music show.

A lawyer pays a visit to Matti Ojanperä, a bum living under a bridge in the Helsinki harbour, to inform him that he is about to inherit an American aunt of his. The sum 1,000,000 Fmk would be his, if only he meets the qualifications set by his aunt. He must show that he is capable of 'living properly' and possessing a 'respectable occupation and a family he can support'. Otherwise the money would go to a foundation the chairman of which the lawyer himself happens to be!

In this somewhat uneven political satire, good revolutionaries have overthrown a totalitarian state riddled with corruption on all levels when a truly naive bureaucrat (Boguslaw Linda) is placed on a jury that will judge the results of a history competition. Once on the jury, the young bureaucrat starts looking into the past himself and gets embroiled in a labyrinth. The past may well be unclear because recent leaders have certain facts that need to be kept buried. Filmmaker Janos Kovacsi borrows characteristics from revolutions in the Eastern European block (1950s-1980s) to create this post-revolutionary society with an idealist commander (Ferenc Zenthe) meant to lead them. A clue as to what happens next lies in the opening scene -- the funeral of the commander who has given his life for his cause. Ironically, Kovacsi undoubtedly faced censorship on this film. That would not only account for some uneven narration, but it adds a dimension of reality to the topic at hand.

Emilia is a suburban kid. She goes to school, lives with her Mom and sometimes her Dad, and her life couldn’t be more ordinary. But one day Emilia’s pet hamster bites her finger. Emilia gets a secret superpower to transform into Super Furball, who can fly and solve problems with her superpowers. At the same time, the herrings in the nearby Baltic Sea bay are screaming for help because of poisoned water. As the Super Furball, Emilia takes it upon herself to fix the situation and finds ways to be more courageous in her own life.

Arrested for a murder he didn't commit, American adventurer Bart Lanigan is about to be deported from Finland on a freighter. In the Helsinki harbor, he himself becomes a target for a hit man but manages to escape back to land. Lanigan contacts Arvo Mäki, a womanizing local con man recommended to him as a man he could trust. Lanigan is in Finland to catch an American millionaire businessman, Leonard Weston alias Lawrence Walker, who has fled the USA with the company's monies and begun investing them in Finland. Looking for the mysterious L.W. character while trying to get rid of various hit men, Lanigan and Mäki travel around picturesque southern Finland, joined by a pretty night club singer Marja Salo who won't leave Lanigan alone and insists on marrying him.

A closed room mystery begins when an infamous tycoon is found dead in his bath tub. The famous police lieutenant Palmu is summoned to investigate.

Raid is based on detective stories by author Harri Nykänen and made into a 12-part series. The story tells about a police officer who has been investigating white-collar crimes is shot dead in a TV-studio. Another policeman takes his own life at his summer home. A young woman, an executive with a powerful electronics concern, also commits suicide. Her embittered father suspects foul play and he invites Raid, the woman's former boyfriend to "make inquiries". Meanwhile, the police are looking for the first killer - and the trail leads inexorably to Raid. Very soon, however, they realise that the guilty party is somewhere else, and the interests of the police and the avenging angel Raid converge. The unholy alliance shows that even those with morals may, to some extent, use immoral means to achieve an end. The Raid series was voted the best TV-programme in Finland year 2000. Tapio Piirainen received an award for best script and best direction.

Rauta-aika (The Age of Iron) is a dramatic four-part miniseries completed in 1982 by Finnish broadcast network Yle TV2. The production attempts to adapt the national epic of Finland, the Kalevala, for the television audience by way of humanizing the mythological characters whose thoughts and actions drive the narrative. The protagonists of Rauta-aika, Väinö, Ilmari and Lemminki, have been inspired by the tales in the Kalevala and go in search of a woman, eventually finding themselves at war with the Nordic people, and in the end pay dearly for their pursuits.

After Nazi Germany invades Poland in September 1939, Russia attacks Finland two months later. Finnish reservists leave home and go to war. Brothers Martti and Paavo Hakala, farmers from the municipality of Kauhava in the province of Pohjanmaa/Ostrobothnia, serve in a Finnish platoon. A five-part television miniseries extension of Pekka Parikka's 1989 film of the same name.