Ifan Fauzi

In a dysfunctional family intoxicated by online gambling money, only the youngest son, Tisna, refuses to celebrate his father's newfound wealth. As the family splurges on luxury while neglecting their most basic responsibilities, three creditors : a laundress, a vegetable vendor, and the landlord. Appear as living reminders of the necessities they have abandoned. Determined to pay off the debts, Tisna desperately tries to seize control of his father's bank account. What follows is an absurd yet violent battle over dirty money, exposing a family willing to sacrifice everything for fleeting comfort, until the conflict ends in a tragedy as ironic as it is inevitable.

Luna, a final-year university student, begins her thesis under the supervision of her lecturer, Mr. Garda, who initially seems kind and supportive. Behind his friendly facade, however, Mr. Garda abuses his position of power by sexually harassing Luna and threatening to delay her graduation if she refuses his advances. Deeply traumatized, Luna disappears without a trace. Her best friend, Laras, grows suspicious, only to find herself becoming the next victim of the same abuse.

A young couple secretly dates on their university campus at dusk, unaware of an unwritten taboo surrounding an ancient haunted tree. Their actions awaken the wrath of the supernatural entity that dwells within it, leaving them haunted by relentless whispers urging them to break up wherever they go. As the whispers grow increasingly inescapable, they are driven toward an inevitable fate.

Amid the growing commercialization of modern football, Riverside Forest stands as an independent football club from Bandung. This documentary portrays the determination of a new generation to preserve the true spirit of the game, keeping football rooted in the people rather than driven by business interests.

A documentary about the life of a female inmate named Ria Megawati, often called IOT. Once known as the most problematic prisoner in Bandung Women’s Prison, she has since transformed into a better version of herself by immersing in artistic practices such as painting, batik-making, and songwriting. Art ultimately becomes her way out of a dark past, and a vessel for expressing emotions long kept inside.

A renowned organizational figure stands on the brink of extinction: HIMASIVISI. The world of cinema trembles alongside it. As its long-standing dormancy drags on, a cinephile sends out a desperate call for help, hoping the organization can rescue a film production spiraling into chaos. With the last remaining spark of cinematic energy fading away, the fate of the cinephile's production—and the very future of cinema itself—now rests in the hands of this legendary organization.

LUNA (20), ASEP(21), and ANTO(23) play ghost summoning games called “Charlie-Charlie” in a class. SATRIA(21) who does not believe in ghosts, behaves recklessly and does not care about it is inversely proportional to LUNA who believes in the unseen. SATRIA who does not believe and LUNA who believes, the existence of ghosts will answer.

Bram, a restless man, questions the source of his unease. One day, a mysterious figure appears, offering answers to his lingering worries, only to lead him into unconsciousness. When Bram awakens, he begins to uncover the truth through fragments of photographic paper he uses on his own camera.