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Juan Manuel Segovia

Directing

Juan Manuel Segovia

Juan Manuel Segovia, born in Argentina in 2007 and based in Barcelona, is an emerging filmmaker with a clear vocation for cinema. His work on the documentary MOTOMAMI. SOBRE EL CAMP I LA PERFORMANCE stands as his most significant step so far toward directing—a craft he intends to pursue professionally.

Known For

MOTOMAMI. SOBRE EL CAMP I LA PERFORMANCE.MOTOMAMI. SOBRE EL CAMP I LA PERFORMANCE. · 2025
MOTOMAMI. SOBRE EL CAMP I LA PERFORMANCE.
2025
Movie
Winner of the First Prize at the ARGÓ Awards, Fourth Prize at the UB Awards, and Special Mention for Best Cultural Work at the Domènec Font Awards. A documentary produced and directed by Juan Manuel Segovia, in which six experts from the fields of art and journalism explore the broad concepts of Motomami, Camp, and Performance. The film analyzes how the fusion of these three elements has resulted in a work regarded as one of the best albums in the world. Beyond the content itself, the director approaches this project from a personal perspective: ironic, critical, and open. He is interested in questioning the seriousness often imposed by adult life and in reclaiming a different way of engaging with art and the world — one rooted in curiosity, freedom, and depth.

Filmography

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MOTOMAMI. SOBRE EL CAMP I LA PERFORMANCE.MOTOMAMI. SOBRE EL CAMP I LA PERFORMANCE. · 2025
MOTOMAMI. SOBRE EL CAMP I LA PERFORMANCE.
2025
Movie
Winner of the First Prize at the ARGÓ Awards, Fourth Prize at the UB Awards, and Special Mention for Best Cultural Work at the Domènec Font Awards. A documentary produced and directed by Juan Manuel Segovia, in which six experts from the fields of art and journalism explore the broad concepts of Motomami, Camp, and Performance. The film analyzes how the fusion of these three elements has resulted in a work regarded as one of the best albums in the world. Beyond the content itself, the director approaches this project from a personal perspective: ironic, critical, and open. He is interested in questioning the seriousness often imposed by adult life and in reclaiming a different way of engaging with art and the world — one rooted in curiosity, freedom, and depth.

Director