Gerson Barreto

Joana is a young university student who recently discovered herself as a lesbian. In one of the traditional lunches at the house of his grandmother Clarissa, his cousin Joaquim unleashes the question that gives title to the film. The question shocks not only Clarissa, but also Joan, who, to avoid facing the question and its repercussions, detaches herself from that moment and begins to revisit her childhood memories in that house. A figure stands out among these memories: that of his aunt Carolina, a great friend of his grandmother, who was always around. Little by little, Joan understood that the constant presence of Carolina was not just by chance, and did not mean to her grandmother Clarissa just a friendship. This walk through the past awakens Joana to the possibility of sharing more with her grandmother than she had imagined.

Téo, a solitary medical student burdened by the care of his paraplegic mother, becomes infatuated with Clarice, an aspiring screenwriter he meets at a barbecue. When she rejects his advances, he resorts to an extreme measure: drugging and kidnapping her. He forces Clarice—sedated and trapped as his passenger—on a road trip through the very locations she scripted in her screenplay, attempting to awaken her love through repetition and manipulation.