Éric van Beuren

A transgender woman returns — with her two male lovers — to her family home in the countryside to look after her dying mother.

On the eve of revolution, French activist and author Marquis and his talking penis, Colin, await judgment in the Bastille for allegedly plotting against the state. While Marquis dedicates himself to his art and Colin longs for action, the provocative pair unwittingly rouse the interest of competing ideological factions.

The film follows two brothers over the course of a decade. While they begin as kids in search of thrills in the sprawling slums of Morocco’s Sidi Moumen, we witness their gradual, and ultimately shocking, radicalisation.

Maria Garcia (Carmen Maura) is a television journalist and she's about to be a single mother. Her career foremost in her mind, she doesn't slow down even for a minute, despite her pregnancy. She is, however, taking Lamaze classes and is quite competently coping with the romantic attentions of a man she's not very interested in. It's not at all irrelevant that her news beat includes stories on terrorism, the greenhouse effect, pollution and genetic engineering, because when her baby's due date comes and goes, she starts hearing from her infant from in the womb. It is telling her that it and many other babies are refusing to be born into such a horrible world. She learns that this is true, and that the children born through induced labor are dying.

A Greek-Irish sailor becomes friends with a 10-year-old sampan girl while his freighter is docked in Hong Kong.

The story of is placed at the end of the 19th and at the second half of the 20th century. The locations are different and completely opposite: the rural Macedonia at one hand, and the urban environment of an industrial region in Belgium at another...

Three misfits live peaceful lives of idleness and resourcefulness until the day a scam more lucrative than any other comes their way. At the same time, their wives are all threatened with dismissal. Panic ensues. The three men dread imagining their future lives, with their wives nagging them day and night and no peace and quiet. How far will our heroes go to preserve their modest happiness or to finally—perhaps—achieve a better life?

Created by French surrealist artist Roland Topor and director Henri Xhonneux, Telecat is a news show parody hosted by a tomcat named Groucha (who always had his arm in plaster) and an ostrich named Lola. It featured a variety of sentient objects and revolved around the idea that the real-life elementary particles known as gluons were “the souls of objects”.