Brigitte Fontaine

Absolutely Fabulous

Middle-aged best friends Eddie and Patsy live in an endless haze of drugged, drunken selfishness. The duo leave no impulse unenacted and no lust unsated — be it for sex or the latest in designer clothing. Waking up from a night of drunken debauchery, the two dip right into a feast of champagne and caviar, much to the irritation of Eddie's elegant mother and her resentful daughter. As Eddie stretches an appalling pair of leopard-print leotards (complete with matching shoes, purse, and hat) over her massive rear end, she and Patsy learn of a handsome young rollerblading delivery boy who quickly becomes the object of their lust.

Mords-les !

Follow Brigitte Fontaine as she wanders in the streets of Morlaix.

Like Asura

The four Takezawa sisters discover that their father has an illegitimate child so they hire a private detective to investigate.

The Big Night

An ageing punk-with-a-dog and his brother the conformist decide to get their revenge on a shopping mall. Directing duo Benoit Delepine and Gustave Kervern, longstanding comic crusaders against capitalism, again set out to surprise and shock the bourgeois audience.

À mort la mort !

The idea for this film about a generation and its lost ideals came to Romain Goupil after attending several funerals of friends in the fall of 1996, where the '68 generation, now in influential positions in media or politics, kept meeting each other. It seemed as if the revolution that they had tried to make was being buried with each coffin. A MORT LA MORT is in some ways an homage to this generation, now in their fifties. They were a privileged generation that thought that they could change the world, doing everything that their parents failed to do. There were no actual deaths in France as there were in Germany or Italy, but the system was not ideal for personal issues or for love. There was always a scapegoat for the injustices of the world, be it capitalism or imperialism. That way the blame could be placed somewhere else. Some of the '68 generation are still faithful to the principles of their youth and still continue to fight for the illusions of the past.

The Man Who Became A Camera: Photographer Takuma Nakahira

With his photography and texts, Takuma Nakahira was a driving force behind Japan’s «political season» during the ‘60s and ‘70s, before suffering an artistic crisis that lead him into a medical emergency in 1977. Having lost a great part of his memory and his ability to speak, photographs became his life. Over a period of three years, the movie follows Nakahira on his daily quest to trace his life in photographs, whether in his Yokohama neighborhood or on a journey to Okinawa, a place visited in a long gone past.

The Surrounded

Jean-Claude is a student, with Didier, at the Ecole des Hautes Etudes Generales where Violaine, Didier's sister, is a professor of sociology. These young people belong to this upper-class, snobbish bourgeoisie.