Shirin Yazdanbakhsh

A married couple are faced with a difficult decision – to improve the life of their child by moving to another country or to stay in Iran and look after a deteriorating parent who has Alzheimer's disease.

The story of life of Gholam Reza Takhti from his childhood till adulthood, his matches and finally his death.

Somaieh, the youngest daughter of an indigent family, is getting married and fear is overwhelming each and every member of the family regarding how to overcome their difficulties after she's gone.

Hamed's sister must have a hearth surgery

Neda decides to smuggle narcotics out of Iran to solve her financial problems and the custody battle with her ex-husband over their young child. However, her inexperience leads to drastic medical problems that threaten her life. Unraveling over the course of a few hours, her deteriorating situation and her unlikely friendship with another smuggler create a tense, thrilling experience.

Manijeh Hekmat is an Iranian film director. Born in 1962 in Farmahin, Iran, she has worked since 1980 as an assistant director and production designer in over 25 films. She directed her first feature film Women's Prison (Zendān-e Zanān) in 2002. This film has been shown at over 80 international film festivals and has received seven prizes. Three Women (Seh Zan) is Hekmat’s second feature film made in 2007.

Tala and Ati (Sis) are a mother and daughter who have lived together for many years; almost 50 years, as long as the life of Sis. Their situation, however, does not last long, and the days of separation arrive. The separation happens when Sis depends heavily on her mother due to her special conditions, and Tala is trying to provide security for Atiâ's future in the remaining time; a future without her presence.

Tehran's air pollution has reached maximum levels because of thermal inversion. Unmarried 30-something Niloofar lives with her aged mother, and stays busy with her alterations shop. When doctors insist that her mother must leave smoggy Tehran for her respiratory health, Niloofar’s brother and family elders decide that she must also move away to accompany her mother. Now Niloofar is torn between family loyalty and living her own life. As the youngest she has always obeyed their orders. Can she stand up for herself this time?

Two men come to Iran. One to visit his grandmother and another as an art dealer. When they discover that they are neighbors, the story begins.

Piano teacher Roya (Mahnaz Afshar) realizes that her marriage to Ali is in a deadlock when she discovers some of her husband's secrets. In the meantime she meets a young musician (Saber Abar) and has to make a painful choice.

Amir and Sara are a young couple on their way to Melbourne to continue their studies. However, just a few hours before the departure of their flight, they are unintentionally involved in a tragic event.

Ehteram Sadat and Forugh are neighbor. Their sons disappeared during war and they have been waiting for their dead bodies for almost thirty years.

Homa, the most accomplished nurse in the hospital is asked to care for the elderly mother of the owner of the hospital. The next ten days sees continuous snow fall, trapping both women but opening a host of unknown doors.

Following protests to the presidential election in 2009, an elderly woman has one night to clear her house of any politically troublesome belongings of her family. To help her out; her deceased husband, her executed brother and two martyred and immigrated sons are back to life in their picture frames.

Mahtab is suspicious of her husband Ahmad, a university professor. As she tries to unravel the mystery instigated by Sima, a close friend of the family, by pressuring Farnoosh Kheirkhah, Ahmad's student, her husband tries to prove his innocence. But the sudden death of Farnoosh opens a new path before Ahmad, Mahtab, Sima, and her husband Mansoor.

It is a crucial day in the home of the once affluent and respected, but now penniless, Vaziri family: they have to ward off debt collectors, delay foreclosure on their stately house, keep the lid tight on scandalous secrets, and hold on to the reputable image for long enough to honorably receive the long-awaited, moneyed suitor of their only daughter.

Saeed is a forty-year-old mason, severe and fanatical in his religious beliefs. One day his wife is accosted by a driver who assumes she is a prostitute. Seething with rage, Saeed seeks revenge. In so doing he gets into various bruising encounters, and each time comes out the worse. He then goes on to see women, and especially prostitutes, as the root of all evil and decides to rid society of sin by eliminating whores. The prostitutes he eliminates are, however, merely destitute women forced to sell their bodies in order to feed their children.

Negar and Amirali are going to immigrate, but at the very last moment, they face a critical situation: their son, Bardiya, goes missing. Now it is time to unfold all the family secrets…

A family reunion after several years.