Siput Sarawak

The movie adaptation based on the legend of Raden May Ayu. It follows the original tale rather closely, though a few variations of the legend do exist. The essence of each of the variations is more or less the same: Radin Mas Ayu is the baby daughter of Pangeran (brother of the Sultan of Java) and a court dancer; she is forced to go on exile to Temasek with his father after the Sultan disagrees with her parents' marriage and burns their house down, killing her mother. Radin Mas Ayu grows up to be a pious and filial daughter, but is despised out of jealousy by her stepmother. She eventually sacrifices herself as she shields her father from a murderous attack.

Jamal the son of Kamal a woodsman owner is married to Aminah. Their marriage is blessed even more with Mardiana their new born. But their happiness was short lived when Jamal started to mix around with Harun and his bad influenced friends. Harun is an insurance representative who also works for Aishah the stunning beauty. Jamal is attracted to Aishah so much that he starts to abandon his family. Jamal had to spend a lot of his money to accompany Aishah who is used to the lifestyle of a rich person. Will Jamal ever repent and come back to his originally family and be the father figure he has been all these while?

Based on the royal and political events during the heyday of the Malacca Sultanate. A member of the Sultanate, Megat Datuk Seri Rama, successfully defeats a group of pirates, and rescues a local beautiful woman in the process. The king, Sultan Mahmud, was delighted with his victory for his kingdom and promotes Megat Datuk Seri Rama to Rear Admiral Datuk. This leads to resentment and jealousy from another member of the court, Bija Tun Ali, especially after Rear Admiral Megat Datuk Seri Rama marries the woman he rescued. Bija Tun Ali then leads a conspiracy against him which ultimately leads to tragedy and upheaval in the kingdom. Written by mahajanssen

Keluarga 69 is a classic family comedy that is about wealth and reputation. Osman was driven out by his unscrupulous father but with a twist of fate he managed to clinch a recording contract and strive with the help of beautiful lady.

The film is a Malay film which was published in Malaysia in 1955. Films issued in the form of black and white film without color. The directed by director A.M. Basker in 1955 .

Inspired by a Malay legend about two friends whose relationship is tested by conflicting loyalties.

A classis malay film starring Daeng Idris, Neng Yatimah, Siput Sarawak, Normadiah, and Yusoff Latiff

Driven by his fears of angering his god and ruining his country, the pagan Raja sets out to eradicate the already persecuted pacifist Muslim minority. His only daughter, seeing the brutal efforts undertaken by her betrothed on behalf of the Raja.

Manis and her fisherman father receive a guest named Suleiman at their humble kampung house. He is well-liked by them both and becomes a frequent visitor who helps out with the daily chores. Unbeknownst to Manis, the young man is in fact a prince-in-disguise. So a romance between a royal and a commoner blossoms, as the couple exchange teasing pantuns at the next opportunity - while gathering wood, or while tidying up the rumah ibu. All is bliss when Manis agrees to marry Suleiman in secret even after finding out his true identity. Separation of the loving pair beckons when the prince receives news from the palace and returns to his ailing father, who at his death bed agrees to a royal intermarriage between his son and a princess from a neighbouring monarchy. A family reconciliation and cursed tragedy ensue.

Husein is brought to trial after trying to commit suicide. He refuses to give an explanation until he is forced to. Then he begins his story. Husein enters university with help from his unmarried brother, Hasan, who dedicates his life for Husein and his sister Munah who has a heart ailment. But when Hasan meets Rahimah, Husein’s friend, Wahab, gets jealous as he considers her as his girlfriend. Wahab is very bitter about this and swears revenge. At Munah’s urging, Hasan marries Rahimah. Their happiness is short-lived since Wahab starts to woo Rahimah. After Husein punches Wahab, the latter starts spreading slander. He tells Hasan that Husein is sleeping with Rahimah. Jealousy and rage start to build up and Husein and the pregnant Rahimah are thrown out of the house.

Ibrahim, a rich man, has a spoilt son, Hassan, who is a thief and a liar. When the family adopts nasir, a poor orphan, Hassan does not welcome him. But Sa'adiyah, the daughter of the family, becomes Nasir's devoted friend and ally. After marrying a wife consumed by greed, Hassan turns to thieving to support their lifestyle. He is caught and imprisoned; upon his release, he steals from his adopted brother Nasir. However, Nasir saves him from the arm of the law by informing the police that the stolen items are actually gifts he planned to give Hassan. Hassan is thus released and comes to realise Nasir’s noble heart and kind intentions.

Aminah and her step daughter Noraini embark on a journey to seek a better life and to find her long lost sister Siti

Dayang an actor suffering from the decline due to increasing age and try to change the appearance to look younger. Film Muda Mudi is a Malay film which was published in Malaysia in 1965. The film Muda Mudi issued in the form of black and white film without color. Muda Mudi film directed by director M. Amin in 1965.

Kassim is living with his brother and sister-in-law when he finds out he is about to inherit all his family's wealth. Kassim, a young man who prefers to sing and play, is thrown out of his home by his brother and deprived of his wealth. He starts to lead a wandering life with two friends. One day, Kassim discovers pirate treasure. (This film is different from the 1952 film Anjuran Nasib, also directed by B.S. Rajhans).

Produced by Cathay-Keris, this omnibus of three stories (with different directors) was adapted from mystery tales featuring Detective Inspector Latiff (S. Roomai Noor), a character created Pelham Groom, a former British officer and genre writer who settled in Singapore. Latiff’s ‘Watson’ is a female Chinese forensic doctor (Mary Lim), and the first story 'Mud on Her Shoes' hinges on the romance between an English expat and a Malay woman. The second story is the titular 'Hantu Rimau'. The third tale ’Double Knock Out’, heralded as the first depiction of a local boxing match, was shot in Happy World (later renamed Gay World), one of the night-life amusement parks known as the ‘Worlds’. 'Mud on Her Shoes' directed by L. Krishnan, 'Hantu Rimau' directed by B.N. Rao, 'Double Knock Out' directed by S. Roomai Noor

The film tells the story of a young Javanese man, Ahmad, who leaves his village with a magic protective dagger given to him by his mother. He takes to the seas, eager to discover the world. He reaches the exotic Arabian coast, and travels all the way to Egypt, encountering belly dancers, harem women, etc. He meets Princess Nilam and falls in love. Nilam's father will allow Ahmad to marry her only if he brings back a blue diamond guarded by monsters at a faraway location.

Amir is a waiter who dreams of becoming a well known composer. He admires Aminah the singer at the place he works. He requests of her to sing his songs but she refuses. Hasnah the cashier at the restaurant pity's Amir being ridiculed by Aminah when he confesses his love for her. On the other hand Hasnah as well has feelings for him. One day an opera owner heard of Amir's songs and offered him to work at his place. Amir requested that he would go if only Aminah was to follow along. Zakaria manage to make a deal and they both worked togetthon many songs and Amir became popular since then. Aminah on the other hand began to like him. They ended up getting married and had a son, Nana. Amir loved his son so much that he gave all his attention to his son not knowing of his wife's affair with a man named Hassan who happens to be Amir's close friend. Hassan in the end managed to talk Aminah out in leaving Amir and bringing her child along.

This film tell a story about a evil step mother that put a spell at her own children until he become a monkey. The monkey run deep into the woods until he come into a castle.

This film is about Osman that accuse his wife dishonest with him after been slander by his own cousin. Does he overcome the matter at the end?

During the trouble-plagued making of a movie in production, a spoiled young actress named Ena Manjalara learns the true meaning of friendship, respect and artistic devotion based on her dealings with the idealistic director Malik and the production assistant Daud, whom she initially seduces. Daud is also related to Zai, a former old movie idol who is now destitute and losing her grip on reality.

The same year Shaw’s Malay Film Productions released P. Ramlee’s Penarek Becha, they also produced this melodrama centred around another humble trishaw driver. Like Ramlee’s film it was co-written by young literary upstart Jamil Sulong (who later became a director). Similar issues around class, wealth and modernity are explored through the tale of a kindly older trishaw driver (Omar Rojik) who adopts Jamilah, an orphan and marries her guardian, offering her a simple but better life (including a very, very long visit the circus). As the years pass Jamilah pulls away from her impoverished kampong life towards a world of motor cars and monied families, while kind Omar’s health is failing. A classic slice of social-realist melodrama.

Siti Zubaidah is based upon the 19th century poem 'Syair Siti Zubaidah Perang Cina'. It centers on Siti Zubaidah, the wife of Sultan Zainal Abidin, who is left defenseless after her husband is taken hostage by a Chinese empress. She eventually allies herself with Princess Rukia of Yunnan, who had fled her own palace under threats of sexual assault. Taking matters into their own hands, they adopt male identities and lead a military conquest across China to rescue the Sultan. Directed by B. N. Rao and starring Maria Menado, the Cathay production borrowed from both of its niches at the time: the film language and costume styles of Malay cinema and Chinese wuxia films, resulting in an imagined reality fusing both visual cultures. At the core of the myriad garbs, armour, accessories and makeup donned by the characters, the tale chronicles the adoption of transformative identities to overcome adversity, enact justice and revenge.

Mayang raise by her aunt, Mak Tijah. Mak Tijah always ask Mayang to do hard work. But without Mayang own knowledge, she actually often assisted by spirits. Mayang then forced to marry a rich man Daud. When a struggle ensued between Mak Tijah and Mayang, they fell into the river. Mak Tijah drowned but Mayang was saved by spirits.

A Singaporean production in Malay by B.S. Rajhans.