Giancarlo Soldi

Roberto Benigni, Bernardo Bertolucci, Gabriele Salvatores, Paolo Sorrentino and Giuseppe Tornatore talk about their idea of cinema.

Docudrama about comic book artist Zarcone, who disappeared after illustrating issue #1 of "Diabolik" (November 1, 1962).

1965: Paris, London and Milan all move at the same fast pace, fueled by a fresh creative and rebellious impetus. Guido Crepax picks up on this energy and transfers it to a comic strip in which art, music, design, film and fashion all blend together, breaking with traditional narrative structure. The dreamy photographer Valentina becomes Crepax' alter ego: as lovely as Louise Brooks, as disturbing as one of Lucio Fontana's slashed canvases, as knowing as Bob Dylan's lyrics, and as freewheeling as Charlie Parker's compositions.

Anthology of urban stories form seven Italian directors.

A loving portrait of reclusive comic-book writer Tiziano Sclavi, creator of Dylan Dog

In 1979, while doing his military service, Giancarlo Soldi made his directorial debut with this short film. The Super 8 camera for the short was provided by Paolo Gioli, a multimedia artist, to whom he had been the sole assistant for two years. The film was seized by the Carabinieri under the pretext of showing weapons protected by military secrecy until 2024.

Right after she moves in with him, Frederico's new girlfriend Francesca sends him back to her former boyfriend's apartment to fetch her something she forgot - but he's surprised to find him lying there - dead. Assuming that Francesca killed him and sent him for cleaning up, he cuts him up in pieces, puts him in a suitcase and tries to get rid of it... but he has a hard time finding a suitably quiet place. Unfortunately there's a witness, who comes back on him. One thing leads to another, and the normally shy and overly fearful Frederico has to rid himself of more and more corpses until this black comedy ends.