Dandara Guerra

Virginia’s death during her 17th birthday shakes up a luxurious building complex. For most residents, it’s a passing tragedy. For her mother and her friends, it is the beginning of a transformation: the crack in their drywall cocoon.

Ruy, a solitary surveyor, travels the harsh Pernambuco. His life is transformed when he meets three women from a mambembe circus, Madrinha, Jéssica and Diadorim. Through the history of these four characters, "Mambembe" deals with chance while reflecting on artistic construction.

Ney and Marcos share an apartment, the passion for music and for the same girl until time tears them apart. A few years later they meet again reviewing their attitudes, emotions and memories.

Three stories of infidelity unfold: a man falls for a married woman, a young girl draws the gaze of her sister’s fiancé, and a husband takes his unfaithful wife hostage after discovering her affair with his best friend.

In the shimmering heat of Brazil, 13-year-old Irene discovers a dark secret her father's been hiding: he has another family and even another daughter with the same name.

The project '5 x slum, now by ourselves' gathered over 80 young people from Rio's favelas (slums), selected through workshops, script and filmmaking techniques to create a feature film consisting of five stories that reflect different facets of the daily lives of residents of these communities - with the promise of escape stereotypical representations.

At the end of the 19th century, a poor family comes to the rural Canudos, a community led by Antônio Conselheiro, seen by many as a holy prophet. Their ways bother the powerful people of the region, and the newly founded Republic sends their army to destroy the settlement, which culminates in one of the bloodiest wars in the history of Brazil.

When a police officer investigates an illegal gambling operation at a club, he gets roped into a high stakes game that spirals out of control.

Two teenagers from opposite sides of town, with very little in common except for their passion for music meet in 1970's Rio de Janeiro, at the height of the military dictatorship _ and of Brazil's booming underground rock scene.

One man, two lovers: Ana and Anna, living in identical apartments. Paranoia is the name of the game in this hallucinatory.

After a restless night he is awoken by his doorbell insistently ringing. Through the peephole, he sees a stranger. He doesn't know why that man is there but is immediately certain of one thing: he represents a terrible threat. He quickly dresses and manages to sneak away, no doubt in his mind that the stranger is pursuing him, and that the nightmare has only just begun.

Leo's envy of his brother Pedro will cause much pain and suffering, beginning with the death of Luciana, Pedro's fiancée.

Brava Gente was a television series aired by TV Globo in Brazil between 2000 and 2003, initially as a special year-end. The program was adapted from stories and national stories, and plays by famous playwrights, screenwriters and signed by a number represented by several actors and actresses. The genres of the stories varied each week with the style of each director or author. Brava Gente in the stories ranged from comedies and dramas. In all 53 episodes were shown, broadcast on Tuesday nights.

During the Golden Age of radio, Isa dreams of a singing career. When her uncle is arrested, she moves to Rio de Janeiro and becomes entangled in a love triangle with Hélio and Mário.

Rancho da Maromba is the vacation destination for Luiza, Dado, Mocotó, Juli and the gym class, who travel to the colony in the forests in search of adventure, nature and fun.

Guerra de Canudos is a 1997 Brazilian film, of the drama genre, directed by Sérgio Rezende. It was shown in miniseries format on TV Globo, between December 16 and December 19, 1997, in 4 chapters, replacing "Decadência", and being replaced by "Dona Flor and Her Two Husbands", being the first time that the broadcaster adapted the exhibition of a feature film in this format, an expedient that became be used more frequently since then.