Veit Harlan

A terrible accident robs the successful artist Imhoff of his sight—a jet of flame shoots out of the kiln where he hardens his sculptures, and his career seems over. An attempt to surgically restore his sight fails. While he lies in his sickbed, the sensitive nurse Agnes tenderly cares for her patient. She gives him courage when he is on the verge of despair. Thus, a tender love slowly develops between patient and nurse. Eventually, Imhoff and Agnes marry, and his first attempt at sculpture, even in his blindness, is to be a sculpture of his wife's face. However, since Imhoff has never seen Agnes, she fears he will create an idealized image of her that she cannot live up to. Therefore, after a second operation, he initially conceals the fact that he can see again. He wants to "get used to" his wife first... But how long can he maintain the charade?

France in the 15th Century: The country is marked by the wars with England and internal power struggles. King Charles sees himself powerless against the state. As emerges from the people suddenly a young woman named Johanna, who claimed that the Archangel Gabriel to be appointed, to save France. First of all doubt the king in their words, but he remembers that the people through this "help of God" is gaining new courage. With the slogan "God and the Virgin!" pulls the revivified victorious army into battle against the English-Burgundian alliance. After Johanna King Charles is crowned at Reims, there breaks the plague over the country in. Now Johanna all the blame on the disaster: God would punish believe in the country for that a heretic; if Johanna were actual a holy, she would deal also with the plague. The waning faith weakens France, England is again on the rise. But Johanna is executed as a witch. Only years later annulled the verdict of the Holy and Johanna explained.

During Napoleon's victorious campaign in Germany, the city of Kolberg gets isolated from the retreating Prussian forces. The population of Kolberg refuses to capitulate and organizes the resistance against the French army, which immediately submits the city to massive bombardments.

Séraphine and her mother arrive in Paris to visit the 1867 World Exhibition. In an overcrowded city they must be accommodated in separate hotels. During the night the mother, who wasn't feeling very well, gets suddenly worse. When next morning Séraphine goes to meet her every trace of her presence has disappeared and everybody denies having ever met her. The bewildered young woman must find someone who believes her. Previous version of So Long at the Fair (1950).

Veronika, a saleswoman at the Tutzinger department store, is in love with Paul, who also works there as a salesman. During a weekend trip in the car, the colleagues grow closer, but Veronika also gets into serious trouble. To cover up a tear in her dress, she borrowed a valuable fur coat from the department store, which she intended to return on Monday. However, the theft is noticed, and Veronika has to justify herself to her boss, Tutzinger. When Paul arrives to defend Veronika, Tutzinger realizes that the two are in love—and makes sure that they can be happy together.

Nazi historical drama about Duke Karl Alexander of Württemberg and his treasurer Süß Oppenheimer.

King Frederick II (aka "Frederick the Great") of Prussia is engaged in a major battle against the Austrian army at Kunersdorf, and things aren't going well. The Austrians are inflicting major casualties, and his army is beginning to crumble. Defeat seems inevitable when a combination of events gives him hope that he may pull victory from the jaws of defeat after all.

Der Herrscher (The Sovereign) was based on Before Sunset, a play by Gerhart Hauptmann. The great Emil Jannings stars as Mathias Clausen, a self-made businessman who is forced to do a great deal of soul-searching when his wife unexpectedly dies. Determining to start life anew, he falls in love with his secretary Inken (Marianne Hoppe) and impulsively takes a vacation to Italy. Clausen's selfish grown children, not wishing to share their father's affections -- nor his money -- with his new wife-to-be, go to court demanding that Clausen be declared mentally incompetent. Upon finding this out, Clausen flies into a rage, leaving the audience to wonder whether or not he really as gone off his trolley. Der Herrscher was directed by Veit Harlan, more famous (or notorious) for his viciously anti-Semitic Jud Suess (1940).