Valentinas Masalskis

Based on the novel by Romualdas Granauskas, the film is a chronicle of a young man’s shifting relationships as he adjusts rather dramatically to the unfamiliarity of freedom.

Based on an authentic story, and in the pure tradition of Soviet cinema, the tragic fate of a family of Polish Jews during World War II.

WWII. Joined forces of Polish and Russian partisans (despite they are in conflict) stand against German Sturmwind I & II actions.

This is a story about a young man striving to make a career and money, about his cunning intrigues when he throws honor, friendship and feelings under his feet, using gullible people.

A story about the first childish sin: the first attempt to defeat the enemy, to walk a forbidden road and to revenge.

A little boy and a story teller look into the microscope to find out that the world in a drop of a water looks like a real world, so they dive into it and meet different personalities, miracles and events.

The story about one man - an artist and an intellectual - who was imprisoned by two brutal regimes, the Nazis and the Soviets. 'The Professor' is a man who lives by his own personal version of the Ten Commandments. After miraculously surviving imprisonment in a Nazi concentration camp through a bit of ironic fate, he writes a memoir of his life, which becomes the target of the Soviet censors. The so-called "freedom" of Communism becomes just as oppressive as the German concentration camp.

Grachow, a researcher, is to escort a car to a distant place of the foreign exchange horse Favorite. The driver of Locha drives fast, although he was supposed to not exceed a speed of 30 km per hour. They experience various adventures along the way. Grachow, who drives the car, cannot control the speeding machine, he saves himself at the last moment by jumping out of the cabin. The car with the horse on the platform rolls down to the river ...

Facts is a dramatization of a massacre in a Lithuanian village during World War II when Nazis rounded up over 100 men, women, and children accused of partisan activity and then torched the houses in which they were held. Using Russian interrogations of a few survivors, the testimony of villagers, and some of the Germans responsible for the killing, the film gradually reconstructs the event and its context.

A few fugitives... And a very, very long way to freedom.

Commissioner Maigret's new case. At the rate of his further service in the police.

The events take place in a fictional South Africa, where a group of neo-fascists conduct secret experiments on people, using psychological weapons.

A comic play revealing people's empty ambitions and meaningless principles.

Steponas Darius and Stasys Girėnas attempt to flight over Atlantic ocean.

The film portrays the junction of two individuals: a lonely old man and a young woman, subconsciously joined in a single dream space. The different manifestations of the archetype Anima act as an ally between the unconscious 'self' and the conscious 'I'. Anima, both a Virgin Mary and a whore, expose the intimate conception of women, hidden inside the mind of the lonely man. While, simultaneously appearing in the women's subconsciousness as a mysterious and charming lover, a father figure, a professor or a saint, illuminating her perception of men. Anima, as many archetypes, possess a duality which allows it to have both a positive and negative influence.

A provincial school is waiting for an official delegation from the Ministry who is supposed to bring a new bell. But a bell is not what the school needs... Struggling to survive, the institution is currently lacking the two pupils required by governmental quota in order to stay open. Anticipating the arrival of the delegation, the principal tries his best to hide the real number of students to avoid the unavoidable closing down of the school.

The heroine of the film is a young attractive woman whose motto is “you need to become depraved to feel like a saint.” She is convinced that men who love her should easily accept her for who she is. But it only causes them pain...

With gentle irony, “Cinephilia” unmasks the illusion of film. Characters migrate through the worlds of reality and fantasy, in circumstances that paradoxically have no questions or answers. The two moons of Lars von Trier shine in the night sky, entrancing the main heroes, Roland and Isabel. Roland rents himself a room where he winds up in situations reminiscent of the plots found in Franz Kafka’s “The Trial” or Roman Polański’s “The Tenant”. A guy visits Roland, claiming that they known each other, and offers him a lot of money to film his suicide. There begins a kaleidoscopic sequence of events and random acquaintances. They make the characters wander through the worlds of reality and fantasy, sometimes both at the same time. A dark comedy that tells nine related stories in which the fates of the characters intertwine.

A blue screen informs that war has begun. What will be needed? Collect the men, find guns, or maybe someone will give them. We need a location, a country where the war would take place. No problem, the Colonel is a real pro, he has caused wars to order, or on orders, on multiple occasions in different countries. Now his followers have grown up and caused a war in his country. He doesn’t want to, but he has to fight. He is old and tired of war. He wants to be at the table with a steaming pot of tasty mutton ribs and stare at an innocent TV screen with the news on, and the dressed-up news reporter announces that the war has begun.

The main conflict is developing between the young talented scientist Romas Špokas and Karolis Budrys, who, by hook or by crook, is trying to occupy the chair of director of a research institute, organized for the widespread development of work on the implementation of Špokas’ promising scientific idea.

The revolution in Lithuania has already started, but no one knows who announced it and who is leading it. The action is not taking place somewhere far away, but here in Lithuania and now. The characters of the film themselves turn into creators and shape the further course of events.

Our eternal theme is crime and punishment. In Boris Godunov, the problems of conscience and existential choice are linked to the history of the country. Pushkin says that these things are woven into a mysterious knot or pattern. The choice of each of us is also the choice of our own history. An incorrect individual choice or a karmic mistake can lead to a chain of fatal events. If a person finds himself in power, it can become a problem for the whole people.

Germany in the thirties. Soviet spy Yaroslava Soboleva (aka Sophie Weinert) manages to destroy stocks of a new type of bacteriological weapon at the cost of her own life

A five part mini-series based on the novel by the same name.