Reiichi Hatanaka

Two short stories set in Edo during the Shogun era. The first, during a time when Christians are persecuted vehemently, Iori falls in love with a young Christian girl. When she and her family are captured during a raid, his sadistic master takes her as his personal slave to torment Iori. The second follows Sutezo who, forced to serve the barbarous master of a brothel in order to repay his debts, befriends a young girl. Together, they both escape and struggle to get by on scams and petty theft.

Ginshiro, threatened by poor repute and upcoming star Tachibana, forces his friend Yasu to marry Konatsu, Ginshiro's pregnant mistress; Yasu becomes a stuntman to make ends meet.

An innocuous comment during a weapon inspection wounds the pride of low-ranking samurai Shinpachi, leading to an argument with his superior. The situation snowballs out of control, leading to a deadly duel and political fallout which threatens the entire clan. Declared mentally unstable by the corrupt authority, Shinpachi begins his descent into true insanity…

Natsuko is so good at using that super-strong vagina of hers that she can fuck guys to death. In the end, she’s pitted against a sexual superman and a showdown ensues. There’s also a subplot about a mad scientist type who needs vaginal juices to create a potion designed to turn Japanese girls black.

This is a film about a real person. Sanada Yukimura fought a war against Tokugawa Ieyasu.

A cynical samurai is left as the sole survivor to fulfill a plot to assassinate the puppet of a villain intent on usurping the shogunate in the 17th century. A Shogunate Elder connives to rule Japan by making his puppet, the Shogun's brother Tsunashige, the next Shogun. The best strategist in Japan, Yamaga, leads a plot to stop the Elder, but his cabal is betrayed and most of the conspirators are captured and tortured.

A former soldier is caught working the black market and sent to prison while his partner escapes and goes on to become a gangster, but their paths cross again as they both fall in love with the same woman.

A local yakuza boss of a silk farming town shows kindness to the wandering gambler Oryu by letting her stay at his residence. When a rival yakuza gang, who wants to take over the town’s businesses, murders him, Oryu is obliged to protect his children and business.

Takashi, a bank robber, dreams of his final heist and escaping to Brazil... but in his way, stands a woman that loves him, his dead partner's brother, a corrupt cop, a motorcycle gang and every police officer in the Kanto region.

Japan nineteenth century. High demand for tattooed geisha generates an entire industry for their "production". Europeans pay more for tattooed beauties. Against this background, and considering the gorgeous tattooed women develop the history of confrontation between two highly skilled masters of tattoo.

With her first love that unfolded in the battlefield in her heart, and with a short sword and a pillbox as her weapons, female gambler Okatsu the Tiger Lily travels from gambling site to gambling site. Surrounding her are Omon, an outlaw star blind lone gambler; Onaka, a thief who’s after Okatsu to avenge her father’s death; Ohide, a tattoo artist whose back is covered by a dragon tattoo; and Oryu, a young girl sold as a prostitute to a gambling family.

Convicted of murder, Masayuki Ueda is sent to Hiroshima Prison along with his accomplice. But for a man like him, breaking out of prison is easy.

While Hirono is in prison, his rival Takeda turns his own crime organization into a political party, whose two executives stir up new tensions in their thirst for power.

Test driver Hayami loses control of his car and rolls over. His company then learns that he has kept secret that he is visually impaired, and he is fired. Without the prospect of returning to his old job he makes a plan to rob several jewelry stores. A few days later, Hayami escapes with stolen goods worth 80 million yen in a violin case on a Kyoto city bus. A wild chase ensues.

Kiku Nakakawa, the only daughter of an old kimono shop owner in Kyoto, is enthusiastic about karate. To help her friend Michi avenge her brother, she sneaks into a movie studio in Kyoto where a drug dealing syndicate is based.

Kanno is a Yakuza. He had to kill Matsuoka who betrayed their boss. Kanno knew Matsuoka had a 3-year-old daughter named Youko. Before he gave himself to the police, he asked his trusted man to take care of her. While in prison, Kanno kept sending letters to Youko, disguising as an uncle in Brazil. 15 years later, Kanno is released. He is determined to live legitimately, however the Yakuza has not forgotten his wicked deed!

It is about the life of Ueshiba - the founder of aikido. We can see how he decided to develop aikido and how he did it. We can see why he developed aikido and where he has learned martial arts.

Three stories revolve around independence, a man searching for his wife, and a poor craftsman trying to make money.

In gangster-infested 1920s Yokohama, gambler Ishiguro gets in with the local gang -- but his view of life changes after the Great Kanto Earthquake.

While imprisoned, Tatsu encounters Danshi, a man who is a big honcho in the prison pecking order. After initial conflict they become sworn brothers. Tatsu and the sworn brothers he acquires weren’t really gangsters before their prison time, just ruffians. Prison, however, introduces them to plenty of gangland characters and three years later, they’re out of prison and enmeshed in the yakuza world.

Kokubu Masaru (Bunta Sugawara) is a hard-headed, hot-tempered member of a street vendor clan run by an elderly boss (Kanjuro Arashi). They come into conflict with an unholy alliance of evil Yakuza bosses (Watanabe, Amatsu and Kawazu).

The hero tries to unite various gangs.

The fourth film in the Kanto Street Peddlers series. The protagonist, played by Bunta Sugawara sides with female boss Yumiko Nogawa to fight evil Hiroshi Nawa, who at one point employs rebellious young hood Tsunehiko Watase and Kagawa. Tatsuo Umemiya also shows up as a cool, leather jacket gunman who gains Sugawara’s respect despite playing for the opposing team. What eventually keeps this film from being as good as the first is the loose script that doesn’t really tie all the fun stuff into a coherent package. Much is forgiven however when the last 20 minutes arrives with several visually striking set pieces (including one death scene stylized to the point of ridiculousness) and a terrific final massacre. This was Suzuki’s last contribution to the series; the fifth and final picture would be helmed by Takashi Harada.