George Anton

Acting

George Anton

Born January 1, 1965 · Blairgowrie, Perthshire, Scotland, UK (age 61)

George Anton (born 1965, Blairgowrie, Perthshire, Scotland) is a Scottish actor, 1.83 m tall, who trained at the Drama Centre London. He is best known as Konstantin in K-19: The Widowmaker (2002), Angus in Calibre (2018), and Admiral Ramsay in Churchill (2017). On television he had a long-running role as Malcolm Campbell in Two Thousand Acres of Sky (2001–2003, all 16 episodes), and appeared in L…

Known For

K-19: The WidowmakerK-19: The Widowmaker · 2002
K-19: The Widowmaker
★ 6.62002
MovieHistoryThriller
When Russia's first nuclear submarine malfunctions on its maiden voyage, the crew must race to save the ship and prevent a nuclear disaster.
The SweeneyThe Sweeney · 2012
The Sweeney
★ 5.72012
MovieActionCrime
Jack Regan, a hardened cop who doesn’t play by the rules, is confronted with a criminal from his past. With sidekick George Carter they are put on the case of a jewellery store heist that ends in a killing. But is that killing really an execution in disguise? With pressure from his boss and the fact that Regan is having an affair with that boss’s wife, it’s not going to be easy for him to stay out of trouble.
7 Seconds7 Seconds · 2005
7 Seconds
★ 5.52005
MovieActionCrime
When an experienced thief accidentally makes off with a Van Gogh, his partner is kidnapped by gangsters in pursuit of the painting, forcing the criminal to hatch a rescue plan.
ChurchillChurchill · 2017
Churchill
★ 6.22017
MovieDramaHistory
A ticking-clock thriller following Winston Churchill in the 24 hours before D-Day.
CalibreCalibre · 2018
Calibre
★ 6.52018
MovieThrillerDrama
Two lifelong friends head up to an isolated Scottish Highlands village for a weekend hunting trip that descends into a never-ending nightmare as they attempt to cover up a horrific hunting accident.
Stuart: A Life BackwardsStuart: A Life Backwards · 2007
Stuart: A Life Backwards
★ 7.42007
MovieDramaTV Movie
Story about the remarkable friendship between a reclusive writer and illustrator and a chaotic homeless man, whom he gets to know during a campaign to release two charity workers from prison.
OutlawOutlaw · 2007
Outlaw
★ 5.42007
MovieActionCrime
A group of people who feel betrayed by their government and let down by their police force form a modern-day outlaw posse in order to right what they see as the wrongs of society.
HiroshimaHiroshima · 2005
Hiroshima
★ 7.22005
MovieDocumentaryDrama
The documentary recounts the world's first nuclear attack and examines the alarming repercussions. Covering a three-week period from the Trinity test to the atomic bombing of Hiroshima, the program chronicles America's political gamble and the planning for the momentous event. Archival film, dramatizations, and special effects feature what occurred aboard the Enola Gay (the aircraft that dropped the bomb) and inside the exploding bomb.

Filmography

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Venus PeterVenus Peter · 1989
Venus Peter
★ 5.31989
MovieDrama
Produced for Scottish television, Venus Peter was financed by the Orkney Islands Council. The title character is transformed into a "sea child" when he is baptized with salt water. Though his family tries hard to accustom him to life on land, Peter (Gordon R. Strachan) yearns to go to sea -- or, at the very least, to escape his cloistered community. He finds a kindred spirit in Princess Paloma (Juliet Cadzow), the village "looney," who, alas, is eventually carted away to an institution. Briefly fascinated by poetry and music, thanks to his lovely teacher Miss Balsibie (Sinead Cusack), Peter is disillusioned when he finds his teacher in the arms of her lover (and out of her clothing). The final blow to Peter's idealism comes when his grandfather's ship is repossessed. Despite the bleakness of his surroundings and his seemingly dead-end existence, however, Peter never completely lets go of his dreams, and the film ends on a positive note.

Billy

Working ShakespeareWorking Shakespeare · 2003
Working Shakespeare
2003
SeriesDocumentary
How do we enter the heightened, extravagant language of Shakespeare and yet feel truthful in our contemporary world? How do performers excite the audience with Shakespeare's rich imagery and dynamic rhythm, yet make it real for the twenty-first century? We assume that a sophisticated intellectual background is required to grapple with Shakespeare. But there is a much deeper, almost primal response as available to inner-city students as to their counterparts in the private school to the sound and rhythm in Shakespeare's language which arouses our emotions: feelings of anger and sorrow, of passion and laughter. This landmark five-part video series gives voice to Shakespeare's most beloved and widely known speeches and sonnets, performed by a powerhouse ensemble of American and British actors, as they delve into the structure, meaning and power of Shakespeare's language.