Eigorō Onoe

In 16th century Japan, peasants Genjuro and Tobei sell their earthenware pots to a group of soldiers in a nearby village, in defiance of a local sage's warning against seeking to profit from warfare. Genjuro's pursuit of both riches and the mysterious Lady Wakasa, as well as Tobei's desire to become a samurai, run the risk of destroying both themselves and their wives, Miyagi and Ohama.

Kotaro Tenma, the young warrior of justice, infiltrates enemy territory and uses his ninjutsu skills with to defeat the villains.

Three young women who dream of a life of luxury find themselves drawn into a family feud within the Date clan as maids. There, they protect the young lord and play a major role in taking on the villains.

The adventures of a blind, gambling masseur and master swordsman. Zatoichi targets a yakuza-controlled village, because war with a neighbouring town's smaller gang is brewing.

The masked daughter of the Shogun wants to kill a samurai who has seen her scarred face. She sends waves of ninja warriors to kill the samurai and plots diabolical schemes / ambushes without much success.

Tired of everyday life, the 8th Shogun Yoshimune flees Edo Castle and asks Ooka Echizen to become his personal assistant. In a rice shop, Yoshimune meets a simple ronin Ohashi Kenshiro, and receives permission to stay at his house, but a mysterious corpse awaits him in the house... And then the second, third and fourth murders occur...

Japan, 1159. Moritō, a brave samurai, performs a heroic act by rescuing the lovely Kesa during a violent uprising. Moritō falls in love with her, but becomes distraught when he finds out that she is married.

In Edo Japan, a kabuki actor seeks revenge against the three men who drove his parents to their deaths years ago.

Disguised as a beggar monk, Ryunosuke is harassed along the road by the rowdy members of a country dojo or fencing school malingering outside their fencing hall. The third film in the Satan's Sword trilogy.

A beautiful swordswoman dressed as a man falls in love with the young lord who is her enemy.

A giant stone statue comes to life to protect the residents of a small town against the depradations of an evil warlord.

This 1932 adaptation is the earliest sound version of the ever-popular and much-filmed Chushingura story of the loyal 47 retainers who avenged their feudal lord after he was obliged to commit hara-kiri due to the machinations of a villainous courtier. As the first sound version of the classic narrative, the film was something of an event, and employed a stellar cast, who give a roster of memorable performances. Director Teinosuke Kinugasa was primarily a specialist in jidai-geki (period films), such as the internationally celebrated Gate of Hell (Jigokumon, 1953), and although he is now most famous as the maker of the avant-garde silent films A Page of Madness (Kurutta ichipeji, 1926) and Crossroads (Jujiro, 1928), Chushingura is in fact more typical of his output than those experimental works. The film ranked third in that year’s Kinema Junpo critics’ poll, and Joseph Anderson and Donald Richie noted that 'not only the sound but the quick cutting was admired by many critics.

Tsunamune Date, the young lord of Sendai Domain, was ordered by the shogunate to stand down after being spotted in a brothel. Shortly after, four advisors from his entourage were assassinated, calling into question the possessions of the Date family.

It’s cross and double-cross in these further adventures of Ryuzen, the wayward priest played by Katsu Shintaro as he tries to help a woman who may be the heir to a fortune get what is rightfully hers. Matsuo Kayo, who first rose to international stardom as ‘the supreme ninja’ in “Shogun Assassin” gives an outstanding performance in this clever and exciting caper tale set in the samurai era. Ryuzen agrees to help her, but is he just in it for himself, and is she really who she claims to be? When they come up against Boss Tobei it’s a virtual free-for-all as everyone struggles to walk away with a fortune in gold!

A woman loses her son through an evil conspiracy and commits suicide. Shortly afterwards a ghost cat begins haunting the conspirators. This is Takako Irie's first bakeneko (ghost cat) movie; it started a Daiei cycle which was very popular at the time in Japan.

Itarō abandons his life as a hatamoto to become a yakuza.