Ko Su-yun

Each member of a family in Taipei asks hard questions about life's meaning as they live through everyday quandaries. NJ is morose: his brother owes him money, his mother is in a coma, his wife suffers a spiritual crisis when she finds her life a blank and his business partners make bad decisions.

The story of a family embroiled in the "White Terror," the Kuomintang government's anti-communist political repression that was wrought on the Taiwanese people from 1947-1987.

In 1949 when the Communist regime was established in China, the world-famed painter Ling Chen-kuang, believing his conviction for a new-born society had come true on his motherland, returned anxiously from the U.S., whither he had fled apprehension by lawmen when cracking down on rebellious activities he had actively engaged in out of cynicism and hostility – the feelings evolved from constant haunting by the memories of his childhood miserableness – to the then existing institutions in China. Alas, to his disillusion, the land he had so deeply loved, the society of which he had expected so much, should have turned out to be the hell on earth. Why? The enigma kept obsessing and puzzling him even to his dying moment.

A young woman urgently seeks to navigate the maze of contemporary Taipei and find a future. She hopes that her boyfriend Lung is the key to the future, but Lung is stuck in a past that combines baseball and traditional loyalty that leads him to squander his nest egg bailing her father out of financial trouble.

A young woman leaves her home and boyfriend in rural Taiwan for Taipei with dreams of entering the entertainment industry and gradually discovers the complicated ramifications of her pursuit. A 2-part TV movie and part of the groundbreaking series "Eleven Women," this is Edward Yang's directorial debut.

After discovering that her son faked his report cards, a single mother uses a device to grant her utter control over his life -- but at a great cost.

The Fan family was already not very good at expressing love. After the loss of their son Wei, they became more emotionally trapped. Then, Lei-Ya, the mother, started to lavishly devote her time on feeding street cats. Qing, the daughter, moved out and rarely came home anymore. Yan-Ming, the father, tried to pretend that nothing happened, and treated everyone around him nicely. Eight years on, the three members of this family, each bearing disappointment and anxiety, gathered up in their old home. The otherwise happy reunion escalated, and they must finally face the old sorrow and pain.

Huihua, a music school freshman, is raped by Professor Lee. She files a suit against him with the help of another professor, who involves his attorney friend, Fang Anyu. As the film focuses on the secondary abuse inflicted on Huihua, it narrows in on the characters’ inner lives. Why does Fang Anyu defend Huihua while his marriage crumbles? Why does attorney Lin so actively defend her husband? Above all, Huihua’s complex psyche is evident in the words, "I may have loved Professor Lee," changes the film into something beyond a simple courtroom drama.

A story of a girl haunted by the ghost of her mother, after witnessing her murder.

After a devastating artillery attack on the island of Kinmen, commander Chi Liang-chen and his battery prepare a counter-attack.

Chun, 28, Taiwanese, goes on a conflict-packed search journey with her Chinese guide, Ming, to find her father's long-lost first love, XiuQian, in China. Chun's father had promised XiuQian 60 years ago that he'd definitely come back to marry her. But not until recently, Taiwan and China were hostile to each other, he was never able to fulfill his promise. Chun and Ming grew up on two sides of the Taiwan Strait and were brought up with different values. They don't hesitate to cut each other down to size. Their turbulent romance unfolds in tears, laughter and a clash of values. The love story of two generations, across the Taiwan Strait, told with touching drama and biting comedy, is a poignant and entertaining road movie.

After her six year old son is kidnapped, a successful fashion designer must work with a detective to clear up the terrifying mystery and get her son back.

A professional hit-man is hired to take out a target -- however, his girlfriend’s pregnancy gives him second thoughts. He decides that after this job, he will renounce his profession and turn himself in. This is the first feature film from Taiwanese director Alex Yang, who participated in script-writing and production on Edward Yang's early films. "The Trigger" has echoes of Yang's "Mahjong." The actors in the film, except for veteran Ngai Man-Yin, are all new faces -- unfortunately, Ngai's death in 2005 also made "The Trigger" his last appearance on screen.

The fifteen-year-old Xiao-Yu desires a perfect and happy family, but she actually suffers from domestic violence. One day, her mother disappears. Summer vacation is around the corner. A summer thunderstorm strikes in the afternoon. Xiao-Yu wonders if there is a right and safe way to home.

There is a another soul living in CaCa's body. Just as she decides to come clean with her biological gender, her boyfriend proposes to her. Should she confess, at the risk of losing all the happiness she ever had, or should she keep things the way they are? A phone call then takes her back to her hometown which she had long left behind, where her sister needs her to take care of their mother who is mentally ill.

Senior entertainment journalist Liu Chih Chun's career is thrown into turmoil when her junior colleague, Lin Pei Ting, dies under mysterious circumstances at a scandalous party. As the magazine's reputation hangs in the balance, Chih Chun embarks on a dangerous investigation to uncover the truth. With only Lin's cryptic notes to guide her, she ventures into the hidden shadows of the entertainment industry, determined to reveal a story far bigger than anyone imagined.

Wayward Kenting is a 20-part TV series produced by Honto Production and directed by Doze Niu. Most scenes were shot in Hengchun, Taiwan. Wayward Kenting received the 43rd Golden Bell Award for Best Writing for a Television Series and nominations in three other categories.

Adapted from the novel by author Wu Hsiao-Le, the series consists of five independent stories about parenting, as well as children's pressures of growing up, when faced with the tragic consequences of social pressure, parental oppression and family dysfunction. Each story is told in two parts in this ten-part series.

A baker by day and demon fighter by night, Zhong Kui, a reincarnated deity must jog his amnesiac lover's memory of their millennium-long romance.

Autumn of the same year the director Zhang Aijia planning television drama unit eleven women of duckweed. In 1982, planning story time, directed by Edward Yang second expect, a movie watch, then with the new movie is inseparable, and frequently won awards in the international film.