Camera

Yoshio Shimizu

No biography available.

Known For

Village of DreamsVillage of Dreams · 1996
Village of Dreams
6.01996
MovieFamilyDrama
Tells of the childhood of two nine-year-old twins in a rural village in Japan after World War 2. Includes the boys relationships with their schoolteacher mother, civil servant father, elderly landlord, a rough new boy at the school, and three mysterious spirits in the form of old women.
Menda Sakae: Gokuchu no SeiMenda Sakae: Gokuchu no Sei · 1993
Menda Sakae: Gokuchu no Sei
1993
MovieDocumentary
A documentary about Menda Sakae, a man who was wrongfully imprisoned for 34 years.
Battles Without Honor and Humanity: Proxy WarBattles Without Honor and Humanity: Proxy War · 1973
Battles Without Honor and Humanity: Proxy War
7.01973
MovieActionDrama
Shozo Hirono has managed to separate from the Yamamori family and create his own small family, and extend his circle of acquaintances. These new friendships include a powerful underboss of the Muraoka family, Noboru Uchimoto.
Senso DaughtersSenso Daughters · 1990
Senso Daughters
1990
MovieDocumentary
Senso Daughters focuses on the legacy of the Japanese occupation of Papua New Guinea during the Second World War. It is a legacy that arises from rape, starvation and terror. Sekiguchi's documentary lets the residents of Papua New Guinea, especially the women, tell the story of their three years under Japanese Army rule.
Another LifeAnother Life · 1996
Another Life
8.01996
MovieDocumentary
Centers on a support group for alcoholics and their families
Hiroshima no pikaHiroshima no pika · 1987
Hiroshima no pika
1987
MovieAnimation
Video version of the picture book 'Hiroshima no pika', based on the art pieces known as The Hiroshima Panels by Iri and Maruki Toshi
The Old Man and the SeaThe Old Man and the Sea · 1990
The Old Man and the Sea
9.01990
MovieDocumentary
The Stolen SeaThe Stolen Sea · 1984
The Stolen Sea
1984
MovieDocumentary
Umitori takes place in Shimokita Peninsula on the northern edge of the mainland, which was becoming a “nuclear energy peninsula”, undergoing tremendous development and serving as the home port for Mutsu, a nuclear­-powered ship. Focusing on the fishermen and their stories, Tsuchimoto and his crew made their subject matter the “theft of the sea” perpetrated by giant business conglomerates. While the fishermen of Minamata were obvious victims of the mercury­-poisoning tragedy, the fishermen in Shimokita were inadvertently becoming the permanent victims of another announced trag­edy. Tsuchimoto interviews the fishermen, especially focusing on a stage play actor and his boat­-owner family, establishing, as it became his practice, a complex reflection about the threat brought to small communities by the forces of “progress”.

Filmography

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The Stolen SeaThe Stolen Sea · 1984
The Stolen Sea
1984
MovieDocumentary
Umitori takes place in Shimokita Peninsula on the northern edge of the mainland, which was becoming a “nuclear energy peninsula”, undergoing tremendous development and serving as the home port for Mutsu, a nuclear­-powered ship. Focusing on the fishermen and their stories, Tsuchimoto and his crew made their subject matter the “theft of the sea” perpetrated by giant business conglomerates. While the fishermen of Minamata were obvious victims of the mercury­-poisoning tragedy, the fishermen in Shimokita were inadvertently becoming the permanent victims of another announced trag­edy. Tsuchimoto interviews the fishermen, especially focusing on a stage play actor and his boat­-owner family, establishing, as it became his practice, a complex reflection about the threat brought to small communities by the forces of “progress”.

Cinematography

Bursting Balsam Flower: My Chikuho, My KoreaBursting Balsam Flower: My Chikuho, My Korea · 1984
Bursting Balsam Flower: My Chikuho, My Korea
1984
MovieDocumentary
Having spent her childhood in Dalian and Harbin in the former state of Manchukuo, Taeko Tomiyama carried within her the conviction: “As an Asian, as a woman, I will begin from the margins of beauty.” Noriaki Tsuchimoto, on the other hand, directed numerous films related to Minamata disease. He confronted the suffering of pollution victims head-on, continuing to convey the harshness of life with unflinching clarity. In an interview, Tsuchimoto once remarked: “Within Tomiyama’s narrative world lies something that could be called her eros, her utopia, her aesthetics of liberation. Why does she persist in creating such dark lithographs on the themes of Chikuho and Korea? And how is it that, while doing so, she can also simultaneously depict a world of such beauty?” This film not only reveals the allure of the lithographs themselves, but also centers on the dialogue between Tsuchimoto and Tomiyama. It is a portrait of two comrades, earnestly pursuing the meaning of artistic expression.

Director of Photography