Alla Demidova

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

A female poet and author faces the harsh realities of a besieged Leningrad. Based on Olga Berggolts' memoir of the same name.

The Hound of the Baskervilles is a 1981 Soviet film adaptation of Arthur Conan Doyle's novel The Hound of the Baskervilles. It was the third installment in the TV series about adventures of Sherlock Holmes and Doctor Watson. A potent streak of humour ran through the film as concerns references to traditional British customs and stereotypes, ensuring the film's popularity with several generations of Russophone viewers. Other features of this best entry in the series include excellent exterior shots which closely match the novel's setting in the Dartmoor marshland, as well as an all-star cast: in addition to the famous Livanov -Solomin duo as Holmes and Watson, the film stars the internationally acclaimed actor/director Nikita Mikhalkov as Sir Henry Baskerville and the Russian movie legend Oleg Yankovsky as the villain Stapleton.

The year is 1940 and Nazi Germany is at the height of its military prowess, having captured most of Europe and eyeing the Soviet Union to the East. The Russian military command suspects hostile intent from Germany and so arranges for its spies to infiltrate ranks of the German military and the SS. Alexander Belov is a Russian spy, who travels from Soviet-held Latvia to Nazi Germany under an alias of Johann Weiss. His mastery of the German language, steel nerves and an ability to manipulate others help him to use his connections in the SS to ascend the ladder of the German intelligence. He uses his position to identify sympathetic Germans, who help him to procure vital intelligence, and to help local resistance movements in their collective fight against Nazism.

The heroine of the film is a young attractive woman whose motto is “you need to become depraved to feel like a saint.” She is convinced that men who love her should easily accept her for who she is. But it only causes them pain...

A young piano tuner befriends two rich old-ladies, and plots, with the help of his girlfriend, to betray their trust and steal from them.

Pyotr, a once-promising neurosurgeon who left his groundbreaking research and career abroad, returns home years later in search of fulfillment. Encountering old friends, strained relationships, and the realities of his choices, Pyotr grapples with regret, identity, and the value of his work.

The main motive of the film - a tragic love of Lesya Ukrainka to Marxist revolutionary Sergei Merzhinskiy. The film is about the poetess' trip to her beloved, in the literal and metaphorical sense at the same time.