Editing

Danielle Anezin

No biography available.

Known For

The Scorsese MachineThe Scorsese Machine · 1990
The Scorsese Machine
★ 8.01990
MovieDocumentary
Amazing documentary shows rarely seen side of a master director. 1990 was a very good year for Martin Scorsese. After making a diverse group of films in the 80s, he reunited with Robert DeNiro for "Goodfellas" and later that year shot a segment for "New York Stories", an anthology film of three shorts by Scorsese, Woody Allen, and Francis Ford Coppola. During the editing, the French documentary series "Cinéma, de notre temps" filmed a documentary on the director, and it's a fascinating glimpse into his life, personality, and working habits as he edits his short with long-time collaborator Thelma Schoonmaker.
Just for LaughsJust for Laughs · 1997
Just for Laughs
★ 6.61997
MovieComedyRomance
Michel and Juliette have just broken up over Michel's affair with the much younger Romance. Alice and Nicolas are still together, but maybe this is because Nicolas does not know of Alice's affair with handsome sports photographer Gaspard. This sly sex comedy, the sophomore effort of Belgian filmmaker Lucas Belvaux, follows the covert sexual misadventures of the troubled foursome.
Abel Ferrara: Not GuiltyAbel Ferrara: Not Guilty · 2003
Abel Ferrara: Not Guilty
★ 8.02003
MovieDocumentary
Intimate portrait of Abel Ferrara: the result is an eccentric road movie, with the restless film maker as a charming, shabby guide around New York by night.
Tokyo EyesTokyo Eyes · 1998
Tokyo Eyes
★ 6.71998
MovieRomanceCrime
The police are tracking a man who shoots at people. But the young sister of a detective finds that he's not the mad vigilante portrayed in newspapers.
Les messages de Fritz LangLes messages de Fritz Lang · 2003
Les messages de Fritz Lang
2003
MovieDocumentary
Aimé Césaire: The Mask of WordsAimé Césaire: The Mask of Words · 1987
Aimé Césaire: The Mask of Words
1987
MovieDocumentary
Aimé Césaire - Le Masque des mots is a portrait of the Martinican writer who calls himself a rebellious negro and for whom the poetic act represents an act of freedom.
Soy NeroSoy Nero · 2016
Soy Nero
★ 6.32016
MovieDramaComedy
The border fence between Mexico and the United States is part of their lives; Mexican youths use it as a volleyball net on the beach, holding their own kind of international matches with their opposite numbers on the other side. When Nero scales the metres-high metal bars we suspect that he has done this often before: because nothing is going to divert him from his dream of becoming a US citizen. He follows the traces of his older brother which lead him to Los Angeles and the mansions of the rich and famous where he gazes incredulously at this very different lifestyle with its pools and double garages that he soon hopes will be his. His only chance of quickly acquiring a green card, however, is by volunteering for military service. Before he knows it, Nero finds himself in the desert landscape of the war zones of the Middle East, fighting for his citizenship with a machine gun in his hand.
Cinéastes de notre temps : Norman McLarenCinéastes de notre temps : Norman McLaren · 1972
Cinéastes de notre temps : Norman McLaren
★ 6.01972
MovieDocumentary

Filmography

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Soy NeroSoy Nero · 2016
Soy Nero
★ 6.32016
MovieDramaComedy
The border fence between Mexico and the United States is part of their lives; Mexican youths use it as a volleyball net on the beach, holding their own kind of international matches with their opposite numbers on the other side. When Nero scales the metres-high metal bars we suspect that he has done this often before: because nothing is going to divert him from his dream of becoming a US citizen. He follows the traces of his older brother which lead him to Los Angeles and the mansions of the rich and famous where he gazes incredulously at this very different lifestyle with its pools and double garages that he soon hopes will be his. His only chance of quickly acquiring a green card, however, is by volunteering for military service. Before he knows it, Nero finds himself in the desert landscape of the war zones of the Middle East, fighting for his citizenship with a machine gun in his hand.

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