Monika Willi

Erika Kohut, a sexually repressed piano teacher living with her domineering mother, meets a young man who starts romantically pursuing her.

As celebrated conductor Lydia Tár starts rehearsals for a career-defining symphony, the consequences of her past choices begin to echo in the present.

When Ann, husband George, and son Georgie arrive at their holiday home they are visited by a pair of polite and seemingly pleasant young men. Armed with deceptively sweet smiles and some golf clubs, they proceed to terrorize and torture the tight-knit clan, giving them until the next day to survive.

Georges and Anne are in their eighties. They are cultivated, retired music teachers. Their daughter, who is also a musician, lives abroad with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.

A well-to-do French family living in Calais deal with a series of setbacks and crises while paying little attention to the grim conditions in the refugee camps within a few miles of their home.

An aged tailor recalls his life as the schoolteacher of a small village in Northern Germany that was struck by a series of strange events in the year leading up to WWI.

Joël is jealous and violent. After one crisis too many, Nicole, his young wife, returns to live with her parents with their three-year-old son. Joël hangs on, begs, threatens. One day, he kidnaps the little boy.

Twenty-five films from twenty-five European countries by twenty-five European directors.

Ewald moved to Romania years ago. Now in his 40s, he seeks a fresh start. Leaving his girlfriend, he moves to the hinterland. With young boys from the area, he transforms a decaying school into a fortress. The children enjoy a new, carefree existence. But the distrust of the villagers is soon awoken. And Ewald is forced to confront a truth he has long suppressed.

A middle-class family flees an unspecified disaster that has struck the city and takes refuge in their country home. They think this will allow them to escape the chaos, but they soon realize that getting away won’t be so easy.

Kings should be treated courteously! At least, that's what famous music critic Georg thinks. But he finds himself counting pennies when his chief editor suddenly fires him from the Viennese newspaper for which he has been writing for decades. While keeping his dismissal a secret from his psychotherapist wife Johanna, whose mind is occupied solely by getting pregnant, Georg begins to plot his revenge.

Richie Bravo, once upon a time a successful pop star, chases after his faded fame in wintry Rimini. Trapped between permanent intoxication and concerts for busloads of tourists, his world starts to collapse when his adult daughter breaks into his life.

Gangster boss Carlos orders the dodgy Viennese junkyard owner Harry to bring him a bag from Poland. Harry passes the order on to his "best man" Schorsch. Schorsch, not exactly the brightest, is currently without a driver's license and completely fixated on the 24-hour car race of Le Mans. So he gives the order to Mao and sends in their place the takeaway lessees Hans and Max to Poland. Their journey leads to a seemingly endless drug trip full of extraordinary phenomena.

Thank you for Bombing accompanies three correspondents to their working place in conflict areas and gives an insight into their daily routine aside from cameras and satellite phones - somewhere between bombing alarm, laundry and Bach flower therapy.

Vintersaga, is a song-structured homage to the Swedish melancholy. Through 24 stanzas the film observes a mosaic of situations and individuals, each with their own doubts, memories and dreams, shaping a picture of a land tinged by the bitter cold wind.

More than two years after the sudden death of Michael Glawogger in April 2014, film editor Monika Willi realizes a film out of the film footage produced during 4 months and 19 days of shooting in the Balkans, Italy, Northwest and West Africa. A journey into the world to observe, listen and experience, the eye attentive, courageous and raw. Serendipity is the concept - in shooting as well as in editing the film.

Is heavy manual labour disappearing or is it just becoming invisible? Where can we still find it in the 21st century? Workingman's Death follows the trail of the HEROES in the illegal mines of the Ukraine, sniffs out GHOST among the sulphur workers in Indonesia, finds itself face to face with LIONS at a slaughterhouse in Nigeria, mingles with BROTHERS as they cut a huge oil tanker into pieces in Pakistan, and joins Chinese steel workers in hoping for a glorious FUTURE.

Rike is forty, a successful doctor whose job demands everything of her. She intends to use her much-needed annual holiday to fulfill her long-cherished dream of sailing alone from Gibraltar to Ascension, a small tropical island in the middle of the Atlantic. Her desire for a carefree holiday seems to be coming to pass but then, after a storm, her beautiful adventure suddenly turns into an unprecedented challenge when she spots a badly damaged, hopelessly overloaded refugee boat nearby.

Vienna, 1995. Jasmin, Tamara, Valentin, Senad and Roman live near the northern border of Austria. Their lives repeatedly intersect and drift apart. The characters involved are young migrants from the former Yugoslavia, Romania, Poland and Austria itself. Strangers in a strange land, they feel a sense of loss in their new, temporary environment. The five-some meet and get close to each other, hopelessly clinging to friendships and relationships with no future. They frequent cafés and train stations dreaming of a better tomorrow. Often, they just fall back on the prospect of short-term affection in yet another doomed romantic or sexual encounter. Trying hard to suppress the memories of war and alienation, they try to find moral strength and warmth through one another.

Nana Iaschwili, a teacher from East Europe, wants to emigrate to America to start a new life. After landing in Vienna, the authorities notice her falsified visa and arrest her. Nana, threatened with deportation, would prefer anything except being sent back and escapes. She must keep on the move constantly. The police are hot on her trail. Together with other illegal aliens, Nana, alias "Suzie Washington", flees to the so-called "green border", the no-man's-land between East and West. The police, cows and lonely men keep getting in her way.

The personal journey of young Sita is not only an expedition into her family's burdened past during World War 2. It is also a journey to the abyss of modern European society, a trip which takes her from Berlin to Romania via Vienna and Warsaw - about losing one's homeland and discovering oneself, about hope and responsibility.

Since losing her family, a woman is living alone in the wilderness — far away from society, which is dominated by mistrust and fear after the outbreak of a fatal disease. When she is forced to leave this life behind, she not only experiences a boundless freedom, but also remembers the importance of human closeness and the feeling of belonging.

FRANKREICH WIR KOMMEN is a highly enjoyable documentary, obviously intended for TV, but showing at film festivals. It shows us the highlights of the 1998 World Cup Championships in France through the eyes of several interesting and diverse fans of the Austrian national team. Entertaining, even for those not interested in football.

Looking around for a suitable place to hold up, Andreas stumbles into a tailor's shop. What was supposed to last only a few minutes ends up being a bizarre afternoon for three men: the tragicomic of the less-than-expert robber, the cranky tailor and a customer - a know-it-all who drives the other two crazy. The mood constantly shifts, and the tables keep turning among the threesome. A black comedy with a twist.

Journalist Daniel Mandelkern leaves Hamburg on assignment to interview Dirk Svensson, a reclusive children's book author who lives alone on the Italian side of Lake Lugano with his three-legged dog. After stumbling on a manuscript of Svensson's about a complicated menage a trois, Mandelkern is plunged into mysteries past and present.