Shu Kei

Ouyang Feng is a heartbroken and cynical man who spends his days in the desert, connecting expert swordsmen with those seeking revenge and willing to pay for it. Throughout five seasons in exile, Ouyang spins tales of his clients' unrequited loves and unusual acts of bravery.

Set in the decadent 1920s, Temptress Moon tells the very complicated story of a wealthy family living on the outskirts of Shanghai. Their youngest daughter, Ruyi, is brought up as a servant to her opium-addicted father and brother. Meanwhile, her brother-in-law Zhongliang has a successful, if illegal, career seducing and blackmailing married women in the city. When he comes to Ruyi's home the two fall in love, and trouble ensues.

After his father abandons the family, Autumn Moon drops out of high school and becomes a debt collector for the Triads. On his rounds, he meets and falls in love with Ping, a daughter of one of the Triads' clients. She is suffering from a fatal kidney disease, and to pay for her medical expenses, Autumn Moon takes an assassination contract, but as he slips deeper into the criminal underworld, he's haunted by a figure from his past.

As Hong Kong's foremost filmmaker, Johnnie To himself becomes the protagonist of this painstaking documentary exploring him and his Boundless world of film. A film student from Beijing and avid Johnnie To fan, Ferris Lin boldly approached To with a proposal to document the master director for his graduation thesis. To agreed immediately and Lin's camera closely followed him for over two years, capturing the man behind the movies and the myths. The result is Boundless, a candid profile of one of Hong Kong's greatest directors and a heartfelt love letter to Hong Kong cinema.

John Shum leads an expedition to an supposedly deserted island only to find out that it's inhabited by a group of seriously demented characters, lead by Peter Chan Lung. This is a family that stays together, slays together and when the youngest one is refused in marriage to one of the young girls of the troupe they turn into savage maniacs.

Cross the Hu-du-men - the demarcation between the back and front stage in Cantonese opera - and you leave yourself behind to totally absorb in your character. Lang Kim-sum is a charismatic Cantonese opera star who understands it's a point of no return once she crosses the Hu-du-men, on stage and in life. Respected by colleagues and friends, and about to retire, Lang has yet to face new, unexpected Hu-du-mens in domestic and professional life.

From an unhappy childhood experience, Law Ka Sing decisively hides his homosexual identity. Sing's partner of 8 years, young boyfriend Sunny is just the opposite, he has never minded publicly revealing his identity.

Jun is a reckless, rebellious young man. His coming out enraged his father, with his mother (Han) stuck in the middle. Even after his father's death they are still unable to reconcile and the two barely communicate. Knowing that being gay is not accepted by his mother, there is a wall between the two even though they live under the same roof.

Only the lack of roses in every frame prevent this teen romance from being a live action Shojo Manga.

May Ching has three roommates. Tung is the career minded account executive with a business minded girlfriend. Long is the slacker chasing a blind date over the Internet. And 'Brad Pitt' is the playboy who never sleeps with the same woman twice. When all four friends find themselves suddenly out of a job, they decide to open up a bar. In the course of setting up the business, the three boys reexamine their romantic life.

Ip Cheung and her husband, a senior police inspector, had been happily married for 18 years. One day, Ip runs into her neighbour, a Taiwanese woman. As they are talking, three men suddenly appeared and tried to kill them. The Taiwanese woman is killed but Ip and the kid, Yen, managed to escape. At the same time, Ip's husband commits suicide. His superior suspected him of corruption. Ip finds out that the Taiwanese woman was her husband's mistress and Yen, his illegitimate son. Ip is given custody of Yen but they are unable to get along. However she will save his live when the gang go after him.

Director Shu Kei travelled to Venice, Canada, London and Hong Kong, collecting accounts of the Tiananmen impact. Among his interviewees are: award-winning Taiwanese filmmaker Hou Hsiao-hsien; Hong Kong director Alfred Cheung, a witness to the massacre; actress Deanne Ip, whose national consciousness is fired by the event; as well as his own brothers, one who soon migrates from Hong Kong, and the other, already an Australian emigre. Their personal testimonies are pieced together into a mural of the Chinese people united in their horror and outrage.

This film is a Hong Kong version of the British Carry On films, this one specifically set in a hospital. The hospital is full of inept people, so Miss Kuk (Meg Lam) vows to the board that she will reform it. This involves the recruitment of student nurses, keeping in check some silly interns and dealing with Dr. Chen, whose wife just left him.

Needing money for her brother’s medical treatment, Liu Yazi agrees to become a surrogate mother for a mysterious benefactor. But when the contract is suddenly terminated, she disappears in a whirlwind, taking the unborn child and leaving former acquaintances, spurned lovers and secret admirers seeking her desperately.

The first episode of the Hong Kong reclaimed “Social Worker” series (1976)

The mother of a murderer awaits and prepares to meet her son. The true story of a man who killed six Shanghai policemen after suffering police beatings as a punishment for riding an unlicensed bicycle. This film was produced as a part of the Jeonju Digital Project.

A rock musician looks for his girl-friend who left while pregnant, trying to decide whether to keep the baby.

The film charts the origins of the Umbrella Movement through the eyes of the activists and ordinary people who made it happen. From the June 4th Candlelit Vigil until September 28th, this documentary puts us at the heart of the action, allowing us to experiencing the highs and lows of that remarkable summer, when Hong Kong witnessed a "blossoming of democracy."

Chronicles the growth of a young woman as she dabbles in Hong Kong’s independent film scene. Based in part on Hui’s real-life experiences.

Ting and her friends go to Mui Wo where they see cows freely walking around. Someone appears and reminds them not to disturb the cows. The next day comes the news that seven cows were killed in a car accident at Mui Wo, which catches Ting and her friends’ attention. Ting starts a fundraising campaign hoping to build a cows’ shelter but is taken as an act to trick people’s money. The disheartened situation brings Ting to revisit the site, where she meets Sunset, the cow caretaker whom they have met before. She eventually develops a sense of responsibility to protect the cows when one day Sunset asks her to inherit the post of caretaker from him.

Exceeding all his expectations, Ming is chosen to represent his school at running. He treasures this last opportunity in his secondary school life and does his very best to prepare for it. However, on the eve of the competition, he decides to give the opportunity to his best friend. There is more to competition than just the end result. Pride, dignity, dreams and friendship are put to the best.

Thin Dream Bay is about a Shanghai émigré in Hong Kong, an intellectual woman who experiences her sexual awakening and identity reconfiguration as someone who occupies the in-between-space between the local, the colonial, and the national.

Tai-hung, in his 50s, lives happily with his wife. Informed of the death of his high school friend, Tai-hung’s secret past resurfaces. The feature debut from promising new Hong Kong talent Jun Li.

Ah Poon is a man of strong principles, and adopts Lu Xun’s quote of “Fierce-browed, I coolly defy a thousand pointing fingers” as his motto. When he gets into a fight with school authority because of something written by his daughter, he takes his daughter away in rage. Is Ah Poon right or wrong?