Jacques-Laurent Bost

Fred, the nephew of a senator,has murdered a Black man on a train. The two only witnesses are Lizzie McKay, a prostitute from New York, and Sidney, a colored man. Fred decides to seduce Lizzie in order to make her give false evidence according to which Sidney has attempted to rape her. The uncle also puts pressure on the young woman. After much hesitation, Lizzie finally accepts but Sidney, who has nearly got lynched, takes refuge at her home...

Don Juan is arrested during one of his raids loving, just as he intended to seduce the daughter of the Governor, who was about to marry. His faithful servant, too accustomed to be all sticks, passed by him to save his skin, a situation that will allow you to win the love of a beautiful comic. Meanwhile, the real Don Juan is reduced to the status of servant.

Plotters decide to scuttle a ship for the insurance money, but things go wrong.

The exploits of three young Roman criminals are chronicled in this socially conscious drama. The young men commit petty crimes all day, beginning with arms theft, leading to an encounter with three streetwalkers. After their pleasure, the boys try to cheat the hookers, but the ladies are smarter than that and have stolen their cash ahead of time.  It's back to the city for the boys, where they continue their destructive games...

A good cast smooths over the rough spots of Les Heros sont Fatigues. The scene is the African republic of Liberia, which in this film proves to be a stopping-off point for a number of shady characters. Yves Montand plays a French ex-pilot who becomes involved in a scheme to smuggle stolen diamonds. His cohorts include a Nazi collaborator, a German refugee, and the white mistress of a prominent Liberian. A romance develops between the ex-pilot and the aforementioned mistress. Meanwhile, one of the conspirators (Curt Jurgens) has a last-minute attack of conscience, effectively queering the deal. The steamier romantic passages in Les Heros sont Fatigues had to be trimmed for American consumption.

A farm in Tunisia at the time of the French protectorate. The children Hamida, a shepherd boy, and Renaud, grandson of a French farm owner, are friends. One day, the parentless Hamida falls into a river while searching for a lost sheep. Renaud, who accidentally caused the loss of the sheep, rescues him, but Hamida falls dangerously ill with pneumonia. Can Renaud help his friend?

During the 1950s, in Portuguese Mozambique, small-time American hustler, ex-soldier, ex-boxer and adventurer Johnny Jordan is looking for a new gig. His opportunity comes in the form of a local shipping tycoon and importer Moreno who offers Johnny a job after Johnny saves Moreno from an armed mugger on the waterfront.

Documentary filmmaker Védrès' first semi-fictional feature was released in France in 1949 as La Vie Commence Demain. The film made it to the U.S. in 1952 as Life Begins Tomorrow. Made in cooperation with UNESCO, the film speculates on the future of mankind after the advent of Atomic Energy. Many prominent French artists and intellects contribute to the narration: Jean-Pierre Aumont plays The Man of Today, Andre Labarthe is the Man of Tomorrow, and Jean-Paul Sartre, Daniel Agache, Jean Rostand, Le Corbusier, Pablo Picasso and Andre Gide are respectively seen as "The Existentialist," "The Psychiatrist,' "The Biologist," "The Architect," "The Artist" and "The Author". Film clips of hospitals, schoolrooms, scientific laboratories, and even nightclubs are woven into Védrès' fascinating tapestry.