Luis Bredow

Seven years after his triumph in Cuba, Che winds up in Bolivia, where he tries to ignite the same revolutionary fires as before.

As a director and his crew shoot a controversial film about Christopher Columbus in Cochabamba, Bolivia, local people rise up against plans to privatize the water supply.

After being denied an American visa, a Bolivian professor becomes involved in a web of criminal activities, holds-up the American consulate and falls for a beautiful prostitute from the Bolivian lowlands.

In Bolivia, Butch Cassidy (now calling himself James Blackthorn) pines for one last sight of home, an adventure that aligns him with a young robber and makes the duo a target for gangs and lawmen alike.

The legal and illegal status of immigrants and the discrimination endured by a segment whom are only looking to a better way of life.

Gregório is a rustic and idealistic peasant who lives frustrated in the village of Rosillas. Arrogant and bold, he wants to recover the waters of the family's old dam, which were diverted by Colonel Igrejas, an Argentinean farmer who acts in collusion with the town's mayor to benefit the cultivation of his own vines. In the midst of all this, Gregório will have to face the contempt of the residents, the corruption and the socioeconomic power of the elite, leaving aside the love for his little son Olegário, the care for his elderly parents and the love of Paula, the teacher at the school who insists that he go live in the city. How does the one who stays on the land that everyone has decided to leave survives.

Starting in La Higuera in 1967, where Ernesto Che Guevara's body is secretly buried, *Say Good Morning to Dad* revisits this place every ten years, focusing on the impact of the event on three generations of women.

At the threshold of fantasy and magical realism, Barbara and Victoria explore two opposing worldviews. Navigating dreamlike landscapes, they seek to fulfill their dreams without fit into the mold.