Ben Jonson

In Venice, a millionaire hires an actor to help him prank three greedy exes into thinking he's dying and leaving his fortune to one of them.

Wienerworld has teamed up with Stage on Screen to release a brand new series of classic plays aimed at the student, teacher, lecturer and theatre lover alike. Each production is highly polished, using professional actors and directors at London s award-winning Greenwich theatre, which specialises in productions for young people.e.

Volpone, an elderly Venetian, connives with his money-crazed servant to convince his greedy friends that he is dying, knowing that each will try to curry favor with him in order to be named his heir. He is inundated with valuable gifts, and soon finds himself entangled deeper and deeper in a web of lies.

Ugo Maria Volpone is a very rich shipowner. He dissimulates to be close to die in order to have the attention of three of his friends: Corvino, Voltore and Corbaccio. The three accepts every kind of humiliation and money loss in order to inherit all Volpone's fortune. Volpone hires a new servant, Mosca. Together the two start to realize new jokes and extortions to the three greedy fake friends. Who will win the inheritance?

A version of Ben Johnson's play: A Venetian swindler goes from town to town pretending to be a dying millionaire in order to attract (and dispose of) greedy "friends".

Written in 1625 by the British playwright Ben Jonson, the play “The Staple of News” provides a historic root for this discussion about the role of the press in modern day Brazil. Journalists of several generations discuss the dilemmas of the selection and focus of their subjects, the resistance of the media in accepting itself as a political agent, the inevitability of interpretation as there are no hard facts in nature, and above all the search for an always complex balance between credibility and the public’s growing demand for news.