Félix Caraballo

Alice sneaks into her neighbor's apartment that almost caught fire. Wracked by anxiety, then loneliness, she returns more than once to his place and crosses certain boundaries.

Anomalies dans le paysage is a film in four tableaux – four audivisual landscapes that unfold in all their strangeness. Spices, leaves and local seaweed reveal and imbue with their hues this film shot and developed on the very banks of the Magtogoek/St. Lawrence river.

In 1995, log driving officially comes to an end in Shawinigan. While Alex and his group of young eco-activists celebrate the end of this practice on the Saint-Maurice River, an old tavern keeper prays, fearing that the past may come knocking at their door.

Strange auditory anomalies lead a sound artist through landscapes of the Bas-Saint-Laurent that blur the line between reality and imagination.

- A group of seasoned travelers cross the ocean with the goal of completing the impossible ascent of the mysterious Mountain Without a Summit. Endless Ascent is an expanded cinema piece for six 16mm projectors, combining the electronic music of Merlin Campbell with 16mm projections by Félix Caraballo. The project is based on the reuse of the following institutional archive films: Way Up and Back (1927) by Associated Screen News, The Moving Dunes (1930) by Hans Springer, The Marsh Owl (1953), produced by Nederlandse Onderwijs-Film, and The Erosion of a Coast (1940), produced by G.B. Instructional Films–Edita Films.