Andrew J. Kuehn

A busload containing three cheerleading teams from three different schools who are heading to compete against each other is hijacked by terrorists and the girls are kidnapped.

Dexter Cornell, an English Professor becomes embroiled in a series of murders involving people around him. Dexter has good reason to want to find the murderer but hasn't much time. He finds help and comfort from one of his student, Sydney Fuller.

Affectionate tribute to Bruce Vilanch, who writes material for celebrities who make public appearances, from Oscar hosts and award recipients to Presidents. We meet his mom and see photos of his childhood; in Chicago, he writes for the Tribune and then heads West. Whoopi Goldberg, Billy Crystal, Robin Williams, and Bette Midler talk with him and to the camera about working with Bruce, and we also watch Bruce help others prepare for Liz Taylor's 60th, Bill Clinton's 50th, and an AIDS awards banquet where the hirsute, rotund Vilanch lets his emotions show.

A group of varied misfits (including a former prostitute/stripper and a bumbler who can't see more than 6 inches in front of his face) enter a school to become flight attendants. Somehow, the group makes it through to the final test: a cross-country flight.

A non-stop roller coaster ride through the scariest moments of the greatest terror films of all time.

A comedy about a group of colorful characters who go on a chase in search of a billionaire's lost fortune.

A documentary filmmaker, who has spent the last 15 years making films like "Aluminum: Our Shiny Friend," is finally given the chance to make the documentary on Indian farming he has always wanted to. The catch? He must simultaneously direct a porn film. But as he tries to make the porn film, which he turns into a musical called "Halloween in the Barracks," he must deal with a temperamental actor, a fundamentalist preacher, and other obstacles.

An in-depth look into the making of the film Annie (1982). It covers the adaptation changes from the original Broadway musical, the hiring of director John Huston, the nationwide search to cast the title role, the production process, and the conception of several musical numbers, including a different version of the song "Easy Street" than the one that ended up in the film.