Sanpei Mine

A samurai answers a village's request for protection after he falls on hard times. The town needs protection from bandits, so the samurai gathers six others to help him teach the people how to defend themselves, and the villagers provide the soldiers with food.

In Burma during the closing days of WWII, a Japanese soldier separated from his unit disguises himself as a Buddhist monk to escape imprisonment as a POW.

An expedition in the South Pacific lands on a tropical island where the natives worship the mysterious deity Gappa. An earthquake opens up an underground cavern and a baby reptile is discovered inside. The natives warn the foreigners to leave the hatching alone, but they don't listen and take it back to a zoo in Japan. Soon after, moma and papa Gappa start smashing Tokyo looking for their kidnapped child.

Two brothers compete for the amorous favors of a young woman during a seaside summer of gambling, boating, and drinking.

Saheji, a man-about-town, gets stuck at a high-class brothel when he can’t pay the bill. He makes the best of his situation by performing various tasks amidst the tumult of the end of the shogunate—but always by making sure to get a “commission” for his troubles.

Shoichi Kokubun is a roughneck street musician, who has a brother that is determined to propel him into stardom. In attempt to catch the attention of a popular jazz band, his brother appeals to their manager who has the power to make him a star. In a graphic portrayal of love, betrayal and success, Shoichi brews up a storm with a 'rat-a-tat-tat' on the drums.

Set in Kawaguchi in the early 60s, this simple story chronicles the lives of foundry families and one girl's dreams of higher education.

Katiri is a reporter so ambitiously amoral that he’ll sell out anyone—including his partner and the drug dealer he’s sleeping with—to get a scoop. But what happens when an even more ruthless female gang boss kidnaps his sister?

A unique and controversial film directed by Umeji Inoue, based on the original story by Shintaro Ishihara, which depicts the image of a group of young people in the agony of mistrust, love and hate with a powerful touch.

A man is wrongfully accused of murder.

A 1960 crime film

Newly out of prison after killing his boss' rival, Akio Maki is eager to move on and start a new life with the boss' daughter. However, the chains of the past are not so easily broken and Maki is soon ordered to kill again.

When an invisible man is run down by a car it’s up to an eager young reporter and a strange clown to bring a dangerous gang to justice.

Tetsuo, the captain of the rugby team, who was preparing for the university entrance exams, starts working to earn money for his mother's surgery after she was involved in a hit-and-run accident, giving up on furthering his education. During this time, a relative's college student named Ikuko visits him and introduces him to her grandfather, Tatsunosuke. Tatsunosuke, a wealthy man, asks Tetsuo to take over his business, but...

In 1906, after finishing a tough migrant job in the Philippines, Takichi has returned to Japan. He starts to work as a rickshaw driver, but his lover had died of an illness, leaving a baby girl, Hatsue. Hatsue grows up beautifully and falls in love with Shintaro. But Takichi objects to their relationship...

Former boxer Daishiro lost his wife, and his only son, Kaoru, went missing, it was a heavy blow for Daishiro. One day, Daishiro got a call from his relative Morihiko. He said he forgot the winning lottery ticket of 2 million yen at the hotel, so he wants Daishiro to go and pick it up. Morihiko used the hotel for secret meetings, so he said he couldn't go there himself because he was afraid it would become public. When Daishiro entered the hotel, the Yakuza, who learned about the lottery from the newspaper, threaten the hotel maid Noriko, and want to rob her. Daishiro helps Noriko and safely picks up the lottery, but a message arrives from his relative Seikichi from Osaka. His missing son Kaoru is said to be a boxer in Osaka. "My son... He has the blood of a boxer in him..." Daishiro is heading to Osaka in a hurry...

The story of three brothers who struggle to shake free of the father's ties to the yakuza underworld. A star vehicle for the popular singer/actor Yūjirō Ishihara.

The Sengoku Era was coming to an end. The monopoly of the ever powerful shogun, Ieyasu Tokugawa, was at a near. Only one man was brave enough to stand in Ieyasu's way - A lone wolf samurai by the name of Kagekatsu Uesugi. Inspired by Uesugi's courage to revolt, a young samurai warrior, Touzou Kuruma decides to join the fight. Their target: the Tamonyama Castle.

In the late 1890s, coal is a precious new natural resource. During an era of rapid economic growth, dreams are instilled into the lives of many across Japan. A vigorous young man with a look of fearless determination, sets foot on the northern part of Kyushu, an area where Yakuza thrived. His name is Kingoro Tamai (Yujiro Ishihara). With plans to travel the world, Kingoro worked diligently at a coal mine. His loyalty and hard work earned the respect of his peers, his courage won the heart of the beautiful Mon (Ruriko Asaoka), and his success evoked jealousy in his enemies.

1962 Japanese movie

Hanayome wa Jūgo-sai, directed by Mio Ezaki and distributed by Nikkatsu, stars Masako Izumi and Ken Yamauchi. The high-key pink background and casual photographic portrait embody Nikkatsu’s 1960s youth-film aesthetic. Clean, hopeful, and pop-oriented. The large white title, handwritten for a softer impression, injects playful energy that contrasts with the strict vertical text blocks. As Japan’s youth culture blossomed after the 1964 Tokyo Olympics, posters like this captured the spirit of romance and rebellion marketed to teenage audiences. The vivid color palette and carefree composition signal a stylistic shift from postwar black-and-white melodrama to the vibrant optimism of modern Technicolor cinema.

This rarely seen gem from master Suzuki casts teenage heartthrob Koji Wada as a young misfit who suddenly finds himself the unwitting pawn in an escalating family feud that ultimately leads to tragedy. Lean, mean, and stylish as always, this tale of youth-gone-wild is both vibrant and touching. Suzuki contrasts tranquil glimpses of traditional regional life with the emergence of the new rock 'n' roll youth culture and the greed and seething cynicism of encroaching Westernism. Also released under the title "Go To Hell, Hoodlums!", this is a melodrama as colorful, shocking, and exhilarating as one would come to expect from Japan's master filmmaker.