Yoshihiro Kato

In this humorous paean to the joys of food, a pair of truck drivers happen onto a decrepit roadside shop selling ramen noodles. The widowed owner, Tampopo, begs them to help her turn her establishment into a paragon of the "art of noodle-soup making". Interspersed are satirical vignettes about the importance of food to different aspects of human life.

When Wabisuke's father-in-law unexpectedly dies, the family goes through a series of random events and occurrences as the funeral unfolds over three days in their home.

Intrepid tax investigator Ryoko Itakura sets her sights on the mysterious and philandering Hideki Gondo, a suspected millionaire and proprietor of a thriving chain of seedy hourly hotels, who has for years succeeded at hiding the true extent of his assets from the Japanese authorities. Itakura and Gondo soon find themselves engaged in a complicated, satirical battle of wits.

Ryōko Itakura returns as the tough-as-nails government taxing agent. This time she must figure out a way to expose a fanatical religious cult lead by a corrupt sociopath.

A successful Japanese movie director in his sixties becomes increasingly ill while working on his latest film. Though his family, friends, and doctor try to keep the secret of his terminal cancer from him, Buhei gradually comes to realize the truth of his condition, leading him on a journey of despair, anger, and – ultimately – acceptance.

A private detective and a college student find themselves in hot water while investigating the murder of a night club owner.

When a hard-driving copywriter (Hiroyuki Sanada) discovers his comely wife (Keiko Saito) is involved in a scintillating game of strip rock-paper-scissors with some guy clad only in a pair of boxer shorts and Mickey Mouse ears, he is less than happy. When the stranger tries to make a run for it, a fight ensues between the two men, and they accidentally tumble down several flights of a concrete stairwell. One hurried ambulance ride later, the copywriter finds himself in a private teaching hospital equipped with the latest gleaming gizmos. Meanwhile, a young internist (Hiroko Yakushimaru) girds herself for her first emergency room case -- the battered copywriter. After giving a curt bow and a nervous "Good Evening," she accidentally jams a syringe into his bloody wound. Soon the absurdity of their situation, along with their medical misery, binds the two men and their blundering nurse together.

The film opens as a jury is about to acquit a defendant -- a bar hostess who pushed her ex-husband path of an oncoming truck, supposedly in self-defense. Just as everyone seems to be in agreement over the woman's innocence, one juror voices second thoughts.