Naufal Satya

# The Conflict of the Heart It depicts the family conflict of a child with her mother and also a love conflict filled with schemes and vengeance. Eryna is the only child of Datin Helena, a successful businesswoman who has fallen in love with Fendi but is prevented by Datin Helena because she does not want her son to be used by Fendi. For Fendi's sake, Eryna left home and severed her friendship with her best friend, Anis. One day Eryna begins to feel deceived and regrets ignoring her mother's and friend's advice. She wants to return to their embrace. Fendi, who was abandoned, holds a grudge against Eryna and her mother. Meanwhile, Ustaz Fattah is a religious teacher who has just returned from Yemen and teaches the Quran at the mosque. He is approached by Ustazah Eisya who wants to join the Quran class. Ustaz Fattah and his family aspire to open a Quran learning center with more organized management and quality modules.

The sun mysteriously disappear, the world is plunged into darkness. A group of mysterious light bringer cult found Hamsa in his house in the depth of the dark. The Cult takes care of him as a family. Tuan, their leader. Gave them 3 sacred commandments that should never be broken to achieve salvation and safety from something lurking in the dark.

In the pages of a farmer's handwritten journal, the fracture of a village comes into view. At the foot of Mount Gede, the expansion of a geothermal project tears into land considered sacred, seizing ground its people have worked for generations. Grassroots resistance slowly decays into suspicion between neighbours, until residents themselves are driven to a boiling point of helplessness. Following the ink trail and personal archive of farmer-activist Cece Jaelani, On the Verge of Seething traces how collective rage hardens into an inherited fate, culminating in an ancient act: residents pleading for the mountain itself to erupt.

This experimental film draws inspiration from the philosophy of Sedulur Papat Lima Pancer, a Javanese worldview that speaks to the presence of four elemental companions earth, water, fire, and air that accompany a human being from birth, unified by the physical body as the fifth and central force (pancer). Through overlapping, symbolic visuals, the film explores the duality within the self and how these elements interact to form a complete human identity, especially within the context of Indonesian culture.