Vladamir Abramov

Three strangers discover a strange barrel buried underground in an abandoned field. Each of them is promised a single wish by an unseen presence inside. One asks for love, another for youth, and the third for a second chance.

Dr. Alan Foster is a respected surgeon in a remote Los Angeles town whose girlfriend, Josephine Kline, has fallen into multiple organ failure. She is placed on life support with only four days before her scheduled unplugging—just enough time for Alan to execute a desperate, terrifying plan. When the hospital informs him that Josephine’s family will arrive from Florida for the final goodbye, Alan secretly builds a sterile surgical room in his home. He begins kidnapping healthy young women, harvesting their organs in cold, calculated procedures. Storing the organs in portable freezers, he delivers them to the hospital after midnight, one by one. Alan then eliminates the entire graveyard shift hospital staff—taking advantage of the town’s small size—and begins an unauthorized, solo transplant surgery to replace Josephine’s failing organs. Despite his efforts, Josephine dies, leaving Alan alone, bloodied, and broken in the wreckage of his own obsession.

Alexander, a self-absorbed aspiring model and internet personality, spirals into delusion and self-pity after being dumped by his girlfriend for someone “much less impressive.” What begins as a diary of self-reflection soon mutates into performative egoism as Alexander tries to rebrand his heartbreak into an aesthetic. But the camera catches what he won’t admit — that his obsession isn’t with love, but with the idea of being seen as great. As Alexander's online persona grows more unhinged, hallucinations blur with reality. He records performative breakdowns, fakes emotional confessions, and eventually spirals into a monologue where his reflection mocks him.